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Index
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Chapters in this book
- Front matter i
- Dedication v
- Contents vii
- List of plates ix
- List of figures x
- Notes on contributors xii
- Acknowledgements xv
- Introduction 1
- 1 Surrealist networks and the films of Maya Deren 21
- 2 Savage art 43
- 3 Joseph Cornell’s American appropriation of surrealism by means of cinema 54
- 4 Buñuel renascitur 76
- 5 From Max Ernst’s collage to Jean Desvilles’ cut-out animation 92
- 6 The uncontrollable in art 108
- 7 From Paris n’existe pas to Berkeley Square 128
- 8 ‘Open the locksmiths’ 147
- 9 Mobile surrealism 165
- 10 The alchemy of surrealist presence in Alejandro Jodorowsky’s The Holy Mountain 186
- 11 Surrealist cinema in the Anthropocene 207
- Plates 1
- Index 229
Chapters in this book
- Front matter i
- Dedication v
- Contents vii
- List of plates ix
- List of figures x
- Notes on contributors xii
- Acknowledgements xv
- Introduction 1
- 1 Surrealist networks and the films of Maya Deren 21
- 2 Savage art 43
- 3 Joseph Cornell’s American appropriation of surrealism by means of cinema 54
- 4 Buñuel renascitur 76
- 5 From Max Ernst’s collage to Jean Desvilles’ cut-out animation 92
- 6 The uncontrollable in art 108
- 7 From Paris n’existe pas to Berkeley Square 128
- 8 ‘Open the locksmiths’ 147
- 9 Mobile surrealism 165
- 10 The alchemy of surrealist presence in Alejandro Jodorowsky’s The Holy Mountain 186
- 11 Surrealist cinema in the Anthropocene 207
- Plates 1
- Index 229