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2 Modern travel, medieval places

Abstract

Three focuses of British travel writing from the seventeenth, eighteenth, and nineteenth centuries were natural history, science, and recreation. Throughout this period and often independently of one another, widely separated writers on these topics utilised a set of consistent yet contradictory images to represent their experiences. In explicit detail they described beauty but also filth, and dangers to which they responded with expressions of awe, uncertainty, and disgust. From these contradictions emerge coherent ways to look at the modern world – especially the contrasts between Britain and Scandinavia – as well as to remember the world from which it developed. The collective impact of replicated tropes rendered visits to the modern-day Nordic regions as rides on a time machine to the British medieval past.

Abstract

Three focuses of British travel writing from the seventeenth, eighteenth, and nineteenth centuries were natural history, science, and recreation. Throughout this period and often independently of one another, widely separated writers on these topics utilised a set of consistent yet contradictory images to represent their experiences. In explicit detail they described beauty but also filth, and dangers to which they responded with expressions of awe, uncertainty, and disgust. From these contradictions emerge coherent ways to look at the modern world – especially the contrasts between Britain and Scandinavia – as well as to remember the world from which it developed. The collective impact of replicated tropes rendered visits to the modern-day Nordic regions as rides on a time machine to the British medieval past.

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