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9 ‘Ha, O my horror!’ Grotesque tragedy in John Webster’s The White Devil

Abstract

This chapter argues that John Webster’s The White Devil is grotesque by design, because it attempts to fuse two opposing philosophical polarities: the heightened emotions of the pleasure-seeking Epicurean with the undemonstrative façade of the Stoic. This fusion is acted out throughout the play’s dialogue, and embodied by the rival-murderers Lodovico and Flamineo. Webster’s ultra-violent finale becomes, in this reading, a dramatisation of Lucretian (Epicurean) physics – in which clashing bodies become swerving atoms, and Flamineo’s comically prolonged experience of death is informed by a hybrid acceptance of both ancient schools of thought.

Abstract

This chapter argues that John Webster’s The White Devil is grotesque by design, because it attempts to fuse two opposing philosophical polarities: the heightened emotions of the pleasure-seeking Epicurean with the undemonstrative façade of the Stoic. This fusion is acted out throughout the play’s dialogue, and embodied by the rival-murderers Lodovico and Flamineo. Webster’s ultra-violent finale becomes, in this reading, a dramatisation of Lucretian (Epicurean) physics – in which clashing bodies become swerving atoms, and Flamineo’s comically prolonged experience of death is informed by a hybrid acceptance of both ancient schools of thought.

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