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Chapter
Publicly Available
Contents
Chapters in this book
- Front matter i
- Dedication v
- Contents vii
- List of figures ix
- List of contributors xi
- Preface by Adele Reinhartz xv
- Acknowledgements xix
- Introduction 1
- 1 Battles over the biblical epic 23
- 2 Depicting ‘biblical’ narratives 36
- 3 Special effects and CGI in the biblical epic fi lm 50
- 4 The phenomenon of biblical telenovelas in Brazil and Latin America 68
-
Part II Modern narratives and contexts in adapting the Bible
- 5 Mythic cinema and the contemporary biblical epic 87
- 6 The Nativity reborn 102
- 7 Convince me 122
- 8 Controversy and the ‘Culture War’ 143
- 9 ‘Can anything good come out of Southern California?’* (*hyperlink to John 1:46) 161
- 10 Examining the digital religion paradigm 174
- 11 The devil and the Culture Wars 193
- 12 Ben-Her(?) 214
- 13 The biblical-trial film 230
- 14 ‘Squint against the grandeur’ 247
- Filmography 265
- Index 270
Chapters in this book
- Front matter i
- Dedication v
- Contents vii
- List of figures ix
- List of contributors xi
- Preface by Adele Reinhartz xv
- Acknowledgements xix
- Introduction 1
- 1 Battles over the biblical epic 23
- 2 Depicting ‘biblical’ narratives 36
- 3 Special effects and CGI in the biblical epic fi lm 50
- 4 The phenomenon of biblical telenovelas in Brazil and Latin America 68
-
Part II Modern narratives and contexts in adapting the Bible
- 5 Mythic cinema and the contemporary biblical epic 87
- 6 The Nativity reborn 102
- 7 Convince me 122
- 8 Controversy and the ‘Culture War’ 143
- 9 ‘Can anything good come out of Southern California?’* (*hyperlink to John 1:46) 161
- 10 Examining the digital religion paradigm 174
- 11 The devil and the Culture Wars 193
- 12 Ben-Her(?) 214
- 13 The biblical-trial film 230
- 14 ‘Squint against the grandeur’ 247
- Filmography 265
- Index 270