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Chapter
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Acknowledgements
Chapters in this book
- Front Matter i
- Dedication v
- Contents vii
- List of figures ix
- Series editors’ preface xiii
- Acknowledgements xv
- Introduction 1
- I Filmmaking as practice 5
- 1 Dislocation as method 7
- 2 Looking with a camera 15
- 3 Camera, mind and eye 24
- 4 Environments of childhood 39
- II Film and the senses 63
- 5 The third tendency in cinema 65
- 6 Sensational cinema 77
- 7 The experience of colour 88
- 8 Notes on cinematic space 106
- III Film, anthropology and the documentary tradition 117
- 9 Observation in the cinema 119
- 10 Anthropology and the cinematic imagination 129
- 11 Anthropological filmmaking 137
- 12 Documentary and its doubles 157
- Bibliography 190
- Filmography 193
- Index 201
Chapters in this book
- Front Matter i
- Dedication v
- Contents vii
- List of figures ix
- Series editors’ preface xiii
- Acknowledgements xv
- Introduction 1
- I Filmmaking as practice 5
- 1 Dislocation as method 7
- 2 Looking with a camera 15
- 3 Camera, mind and eye 24
- 4 Environments of childhood 39
- II Film and the senses 63
- 5 The third tendency in cinema 65
- 6 Sensational cinema 77
- 7 The experience of colour 88
- 8 Notes on cinematic space 106
- III Film, anthropology and the documentary tradition 117
- 9 Observation in the cinema 119
- 10 Anthropology and the cinematic imagination 129
- 11 Anthropological filmmaking 137
- 12 Documentary and its doubles 157
- Bibliography 190
- Filmography 193
- Index 201