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7 Imperial heroes for a post-imperial age

Films and the end of empire
  • Jeffrey Richards
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British culture and the end of empire
This chapter is in the book British culture and the end of empire

Abstract

Director David Lean explored the nature of Britain's last imperial hero in Lawrence of Arabia, scripted by Robert Bolt. The clash of archetypes surfaced in one of the key 1960s films of empire, Zulu. The 1930s had seen a flourishing genre of imperial films produced both in Britain and in Hollywood. The outbreak of the Second World War put an end to the 1930s cycle of imperial films. By the 1960s, mass cinema closures in Britain and a general decline in cinema-going meant that Britain was no longer the lucrative market it had once been for American films. The onset of the Cold War meant that for Hollywood, subject to the McCarthy purge and anxious to demonstrate its anti-Communist credentials, nineteenth-century British India provided a useful warning lesson about the dangers of Russian infiltration.

Abstract

Director David Lean explored the nature of Britain's last imperial hero in Lawrence of Arabia, scripted by Robert Bolt. The clash of archetypes surfaced in one of the key 1960s films of empire, Zulu. The 1930s had seen a flourishing genre of imperial films produced both in Britain and in Hollywood. The outbreak of the Second World War put an end to the 1930s cycle of imperial films. By the 1960s, mass cinema closures in Britain and a general decline in cinema-going meant that Britain was no longer the lucrative market it had once been for American films. The onset of the Cold War meant that for Hollywood, subject to the McCarthy purge and anxious to demonstrate its anti-Communist credentials, nineteenth-century British India provided a useful warning lesson about the dangers of Russian infiltration.

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