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1 ‘Antiquity mad’

The influence of continental travel on the Irish houses of Frederick Hervey, the Earl Bishop, 1730–1803

Abstract

This chapter examines the relationship between travel and Frederick Hervey's country houses. Firstly, it explores whether Hervey's example challenges the traditional definition of the Grand Tourist. Secondly, the chapter explores his unparalleled building campaign, involving a sequence of three country houses, to consider their purpose. Where Downhill may support Mark Girouard's 'powerhouse' model, Ballyscullion does not, prompting questions about the impact of travel. Hervey's unique building campaign of three country houses allows for an exploration of change over time. It appears that the houses may have been built for different purposes, reflecting his changing self-fashioning from bishop and politician (Downhill) to cultured Grand Tour collector (Ballyscullion and Ickworth). The range and extent of Hervey's activities add an interesting dimension to the dynamic interplay between travel and the country house. The Grand Tour provided an unsurpassable opportunity for buying souvenirs and artworks which, in turn, required suitable display space at home.

Abstract

This chapter examines the relationship between travel and Frederick Hervey's country houses. Firstly, it explores whether Hervey's example challenges the traditional definition of the Grand Tourist. Secondly, the chapter explores his unparalleled building campaign, involving a sequence of three country houses, to consider their purpose. Where Downhill may support Mark Girouard's 'powerhouse' model, Ballyscullion does not, prompting questions about the impact of travel. Hervey's unique building campaign of three country houses allows for an exploration of change over time. It appears that the houses may have been built for different purposes, reflecting his changing self-fashioning from bishop and politician (Downhill) to cultured Grand Tour collector (Ballyscullion and Ickworth). The range and extent of Hervey's activities add an interesting dimension to the dynamic interplay between travel and the country house. The Grand Tour provided an unsurpassable opportunity for buying souvenirs and artworks which, in turn, required suitable display space at home.

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