Manchester University Press
5 Undying histories
Abstract
This chapter examines Irving’s 1824 story The Adventure of the German Student alongside his two earlier tales,The Legend of Sleepy Hollow and Rip Van Winkle, focusing on Irving’s radical rethinking of the historical tale as a site of ghostly returns. The presence of death and ghostly figures at the heart of foundational historical moments makes the telling and retelling of the historical tale a fraught endeavour. Irving’s seemingly harmless ‘ghost stories’ are in effect radical reinventions of ‘History’ as a constant problem to be grappled with in the here and now. In The Adventure of the German Student, the figure of the guillotine offers a prime symbol for this deathly presence at the heart of the historical event, casting it as always already horrific and showcasing History’s deadly and beheading forces at work on the individual and the collective alike.
Abstract
This chapter examines Irving’s 1824 story The Adventure of the German Student alongside his two earlier tales,The Legend of Sleepy Hollow and Rip Van Winkle, focusing on Irving’s radical rethinking of the historical tale as a site of ghostly returns. The presence of death and ghostly figures at the heart of foundational historical moments makes the telling and retelling of the historical tale a fraught endeavour. Irving’s seemingly harmless ‘ghost stories’ are in effect radical reinventions of ‘History’ as a constant problem to be grappled with in the here and now. In The Adventure of the German Student, the figure of the guillotine offers a prime symbol for this deathly presence at the heart of the historical event, casting it as always already horrific and showcasing History’s deadly and beheading forces at work on the individual and the collective alike.
Chapters in this book
- Front matter i
- Contents v
- List of figures viii
- List of contributors ix
- Series editor’s preface xiv
- Acknowledgements xvi
- Introduction – the corpse in the closet 1
-
Part I Gothic graveyards and afterlives
- 1 Past, present, and future in the Gothic graveyard 21
- 2 ‘On the very Verge of legitimate Invention’ 34
- 3 Entranced by death 48
-
Part II Gothic revolutions and undead histories
- 4 ‘This dreadful machine’ 63
- 5 Undying histories 76
- 6 Deadly interrogations 88
-
Part III Gothic apocalypses: dead selves/dead civilizations
- 7 The annihilation of self and species 103
- 8 Death cults in Gothic ‘Lost World’ fiction 116
- 9 Dead again 130
-
Part IV Global Gothic dead
- 10 A double dose of death in Iginio Ugo Tarchetti’s ‘I fatali’ 145
- 11 Through the opaque veil 157
- 12 Afterdeath and the Bollywood Gothic noir 174
-
Part V Twenty-first-century Gothic and death
- 13 Dead and ghostly children in contemporary literature for young people 191
- 14 Modernity’s fatal addictions 204
- 15 ‘I’m not in that thing you know ... I’m remote. I’m in the cloud’ 218
- Index 233
Chapters in this book
- Front matter i
- Contents v
- List of figures viii
- List of contributors ix
- Series editor’s preface xiv
- Acknowledgements xvi
- Introduction – the corpse in the closet 1
-
Part I Gothic graveyards and afterlives
- 1 Past, present, and future in the Gothic graveyard 21
- 2 ‘On the very Verge of legitimate Invention’ 34
- 3 Entranced by death 48
-
Part II Gothic revolutions and undead histories
- 4 ‘This dreadful machine’ 63
- 5 Undying histories 76
- 6 Deadly interrogations 88
-
Part III Gothic apocalypses: dead selves/dead civilizations
- 7 The annihilation of self and species 103
- 8 Death cults in Gothic ‘Lost World’ fiction 116
- 9 Dead again 130
-
Part IV Global Gothic dead
- 10 A double dose of death in Iginio Ugo Tarchetti’s ‘I fatali’ 145
- 11 Through the opaque veil 157
- 12 Afterdeath and the Bollywood Gothic noir 174
-
Part V Twenty-first-century Gothic and death
- 13 Dead and ghostly children in contemporary literature for young people 191
- 14 Modernity’s fatal addictions 204
- 15 ‘I’m not in that thing you know ... I’m remote. I’m in the cloud’ 218
- Index 233