XV. Numerical Methods Of Comparing Musical Styles

Chapters in this book

1. Frontmatter i
2. Contents v
3. Illustration vii
4. Preface xi
5. Contributors xv
6. Part One: Historical Background
7. I. Musicke's Handmaiden: Or Technologv In The Service Of The Arts 3
8. Part Two: Music Composition
9. II. From Musical Ideas To Computers And Back 23
10. III. Ethics And Esthetics Of Computer Composition 37
11. IV. Music Composed With Computers—A Historical Survey 42
12. V. Muspec 97
13. Part Three: Analysis Of Music
14. VI. Webern's Use Of Motive In The Piano Variations 115
15. VII. Toward A Theory Of Webemian Harmony, Via Analysis With A Digital Computer 123
16. VIII. Harmony Before And After 1910: A Computer Comparison 132
17. IX. Automated Discovery Of Similar Segments In The Forty-Eight Permutations Of A Twelve-Tone Row 147
18. X. Fortran Music Programs Involving Numerically Related Tones 154
19. XI. Theoretical Possibilities For Equally Tempered Musical Systems 163
20. XII. Root Progression And Composer Identification 172
21. Part Four: Ethnomusicology
22. XIII. Computer-Aided Analysis Of Javanese Music 181
23. XIV. Computer-Oriented Comparative Musicology 193
24. Part Five: Music History And Style Analysis
25. XV. Numerical Methods Of Comparing Musical Styles 209
26. XVI. Music Style Analysis By Computer 223
27. XVII. Toward A Comprehensive French Chanson Catalog 277
28. XVIII. Transcription Of Tablature To Standard Notation 288
29. XIX. A Test For Melodic Borrowings Among Notre Dame Organa Dupla 293
30. Part Six: Music Information Retrieval
31. XX. Mir—A Simple Programming Language For Musical Information Retrieval 299
32. XXI. An Automated Music Library Catalog For Scores And Phonorecords 328
33. Index 349