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10. Thought as Ventriloquism

© 2020 Cornell University Press, Ithaca

© 2020 Cornell University Press, Ithaca

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. Acknowledgments ix
  4. Introduction 1
  5. 1. Mimesis and Pleasure 11
  6. 2. The Actor as Musical Instrument 25
  7. 3. The Poetics as Ur-Text 42
  8. 4. Plot and Action 57
  9. 5. The Unity in Time 74
  10. 6. Peripety and Recognition 86
  11. 7. The Real Inspector Oedipus 101
  12. 8. Character 123
  13. 9. The Anatomy of Dramatic Character 136
  14. 10. Thought as Ventriloquism 157
  15. 11. Tragedy Today 180
  16. 12. The Pleasure of Pain 200
  17. Works Cited 215
  18. Index 221
The Pleasure of the Play
This chapter is in the book The Pleasure of the Play
https://doi.org/10.7591/9781501737893-012

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. Acknowledgments ix
  4. Introduction 1
  5. 1. Mimesis and Pleasure 11
  6. 2. The Actor as Musical Instrument 25
  7. 3. The Poetics as Ur-Text 42
  8. 4. Plot and Action 57
  9. 5. The Unity in Time 74
  10. 6. Peripety and Recognition 86
  11. 7. The Real Inspector Oedipus 101
  12. 8. Character 123
  13. 9. The Anatomy of Dramatic Character 136
  14. 10. Thought as Ventriloquism 157
  15. 11. Tragedy Today 180
  16. 12. The Pleasure of Pain 200
  17. Works Cited 215
  18. Index 221
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