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Conclusion
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Robert E. Norton
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Chapters in this book
- Frontmatter i
- Contents vii
- Preface ix
- A Note on the Translations xiii
- Introduction 1
- 1. Enlightenment Philosophy and the Problem of Method: The Origins of Herder’s Aesthetic Theory 11
- 2. The Ideal of a Philosophical History of Aesthetics: The Diverse Unity of Nature 51
- 3. The Philosophy of Language and Its Relation to Aesthetic Theory 82
- 4. Toward an Ontology of the Arts: The First Kritisches Wäldchen 119
- 5. The Psychology of Aesthetic Perception: The Fourth Kritisches Wäldchen 155
- 6. Herder’s Theory of Sculpture: Vision and Touch and the Outline of a Philosophical “Anaglyphies” 203
- Conclusion 233
- Bibliography 239
- Index 251
Chapters in this book
- Frontmatter i
- Contents vii
- Preface ix
- A Note on the Translations xiii
- Introduction 1
- 1. Enlightenment Philosophy and the Problem of Method: The Origins of Herder’s Aesthetic Theory 11
- 2. The Ideal of a Philosophical History of Aesthetics: The Diverse Unity of Nature 51
- 3. The Philosophy of Language and Its Relation to Aesthetic Theory 82
- 4. Toward an Ontology of the Arts: The First Kritisches Wäldchen 119
- 5. The Psychology of Aesthetic Perception: The Fourth Kritisches Wäldchen 155
- 6. Herder’s Theory of Sculpture: Vision and Touch and the Outline of a Philosophical “Anaglyphies” 203
- Conclusion 233
- Bibliography 239
- Index 251
