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John Warne Monroe
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Chapters in this book
- Frontmatter i
- CONTENTS vi
- Preface ix
- INTRODUCTION: The French Paradox of Primitive Art 1
- 1. THE MAKING OF A METROPOLITAN FETISH: A Fang Mask Transformed 19
- 2. INVENTING ANTIQUITY: Henri Clouzot, André Level, and the Universal History of Primitive Art 43
- 3. THE WINGS OF SNOBBERY: Paul Guillaume and the Launch of Art Nègre, 1911–29 85
- 4. FROM ART NÈGRE TO ART PRIMITIF: Black Deco, Ethnology, and Surrealism in the Late 1920s 131
- 5. SELLING THE “ARTS OF THE ANCESTORS”: Charles Ratton, the Art Market, and the Transatlantic Black Diaspora 173
- 6. AUTHENTICITY WARS: Primitive Art between Metropole and Colony 235
- CONCLUSION: With an Archival Prophecy 291
- Acknowledgments 303
- List of Archival Abbreviations 306
- Notes 307
- Index 341
- Plate 1 - 10 351
Chapters in this book
- Frontmatter i
- CONTENTS vi
- Preface ix
- INTRODUCTION: The French Paradox of Primitive Art 1
- 1. THE MAKING OF A METROPOLITAN FETISH: A Fang Mask Transformed 19
- 2. INVENTING ANTIQUITY: Henri Clouzot, André Level, and the Universal History of Primitive Art 43
- 3. THE WINGS OF SNOBBERY: Paul Guillaume and the Launch of Art Nègre, 1911–29 85
- 4. FROM ART NÈGRE TO ART PRIMITIF: Black Deco, Ethnology, and Surrealism in the Late 1920s 131
- 5. SELLING THE “ARTS OF THE ANCESTORS”: Charles Ratton, the Art Market, and the Transatlantic Black Diaspora 173
- 6. AUTHENTICITY WARS: Primitive Art between Metropole and Colony 235
- CONCLUSION: With an Archival Prophecy 291
- Acknowledgments 303
- List of Archival Abbreviations 306
- Notes 307
- Index 341
- Plate 1 - 10 351