Walking the Victorian Streets
-
Deborah Epstein Nord
About this book
Literary traditions of urban description in the nineteenth century revolve around the figure of the stroller, a man who navigates and observes the city streets with impunity. Whether the stroller appears as fictional character, literary persona, or the nameless, omnipresent narrator of panoramic fiction, he casts the woman of the streets in a distinctive role. She functions at times as a double for the walker's marginal and alienated self and at others as connector and contaminant, carrier of the literal and symbolic diseases of modern urban life. In Walking the Victorian Streets, Deborah Epstein Nord explores the way in which the female figure is used as a marker for social suffering, poverty, and contagion in texts by De Quincey, Lamb, Pierce Egan, and Dickens.
What, then, of the female walker and urban chronicler? While the male spectator enjoyed the ability to see without being seen, the female stroller struggled to transcend her role as urban spectacle and her association with sexual transgression. In novels, nonfiction, and poetry by Elizabeth Gaskell1 Flora Tristan, Margaret Harkness, Amy Levy, Maud Pember Reeves, Beatrice Webb, Helen Bosanquet, and others, Nord locates the tensions felt by the female spectator conscious of herself as both observer and observed. Finally, Walking the Victorian Streets considers the legacy of urban rambling and the uses of incognito in twentieth-century texts by George Orwell and Virginia Woolf.
Author / Editor information
Deborah Epstein Nord is Professor of English at Princeton University where she also teaches in the Program in Women's Studies. She is also the author of The Apprenticeship of Beatrice Webb (Cornell Paperbacks).
Reviews
A historically informed account of the sexual politics of urban spectatorship in nineteenth-century England. Nord's shrewd analysis and sensitive readings, coupled with the similarity between late-Victorian middle-class women's anxieties about family and vocation and those of contemporary Western women, will earn the book an especially enthusiastic response. The subject is intriguing and attractively handled; Walking the Victorian Streets is pleasurable and informative reading.
Topics
-
Download PDFPublicly Available
Frontmatter
i -
Download PDFPublicly Available
Contents
vii -
Download PDFPublicly Available
Illustrations
ix -
Download PDFPublicly Available
Acknowledgments
xi -
Download PDFRequires Authentication UnlicensedLicensed
Introduction: Rambling in the Nineteenth Century
1 - PART ONE. STROLLER INTO NOVELIST
-
Download PDFRequires Authentication UnlicensedLicensed
CHAPTER ONE. The City as Theater: London in the 1820s
19 -
Download PDFRequires Authentication UnlicensedLicensed
CHAPTER TWO. Sketches by Boz: The Middle-Class City and the Quarantine of Urban Suffering
49 -
Download PDFRequires Authentication UnlicensedLicensed
CHAPTER THREE. "Vitiated Air": The Polluted City and Female Sexuality in Dombey and Son and Bleak House
81 - PART TWO. FALLEN WOMEN
-
Download PDFRequires Authentication UnlicensedLicensed
CHAPTER FOUR. The Female Pariah: Flora Tristan's London Promenades
115 -
Download PDFRequires Authentication UnlicensedLicensed
CHAPTER FIVE. Elbowed in the Streets: Exposure and Authority in Elizabeth Gaskell's Urban Fictions
137 - PART THREE. NEW WOMEN
-
Download PDFRequires Authentication UnlicensedLicensed
CHAPTER SIX. "Neither Pairs Nor Odd": Women, Urban Community, and Writing in the 188os
181 -
Download PDFRequires Authentication UnlicensedLicensed
CHAPTER SEVEN. The Female Social Investigator: Matemalism, Feminism, and Women's Work
207 -
Download PDFRequires Authentication UnlicensedLicensed
Conclusion: Esther Summerson's Veil
237 -
Download PDFRequires Authentication UnlicensedLicensed
Bibliography
249 -
Download PDFRequires Authentication UnlicensedLicensed
Index
259