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Chapter
Publicly Available
Contents
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction 1
-
PART ONE: Reflective Readers
- 1. Reading, Stage by Stage: Shakespeare's Sonnets 23
- 2. Close Reading without Readings 42
- 3. Troubles of a Professional Meter Reader 56
-
PART TWO: Reading Reflexively
- 4. Hydra and Rhizome 79
- 5. Othello and Hamlet: Dilation, Spying, and the "Secret Place " of Woman 105
- 6. "To You I Give Myself, For I Am Yours": Erotic Performance and Theatrical Performatives in As You Like It 147
- 7. Pushing the Envelope: Supersonic Criticism 170
-
PART THREE: Reflexive Readings
- 8. The Taming of the Shrew, Good Husbandry, and Enclosure 193
- 9. "Word Itself against the Word": Close Reading after Voloshinov 226
- 10. The Critic, the Poor Player, Prince Hamlet, and the Lady in the Dark 259
- Contributors 295
- Index 297
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction 1
-
PART ONE: Reflective Readers
- 1. Reading, Stage by Stage: Shakespeare's Sonnets 23
- 2. Close Reading without Readings 42
- 3. Troubles of a Professional Meter Reader 56
-
PART TWO: Reading Reflexively
- 4. Hydra and Rhizome 79
- 5. Othello and Hamlet: Dilation, Spying, and the "Secret Place " of Woman 105
- 6. "To You I Give Myself, For I Am Yours": Erotic Performance and Theatrical Performatives in As You Like It 147
- 7. Pushing the Envelope: Supersonic Criticism 170
-
PART THREE: Reflexive Readings
- 8. The Taming of the Shrew, Good Husbandry, and Enclosure 193
- 9. "Word Itself against the Word": Close Reading after Voloshinov 226
- 10. The Critic, the Poor Player, Prince Hamlet, and the Lady in the Dark 259
- Contributors 295
- Index 297