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        5. Metissage: The Merging of Theater and Politics in Revolutionary France
- 
            
            
        Paul Friedland
        
 
                                    
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                                            Kapitel in diesem Buch
- Frontmatter i
 - Contents v
 - Acknowledgments vii
 - Introduction 1
 - 
                            I: THE REVOLUTION IN REPRESENTATION
 - Prologue. A Parable: The Revolution in Theatrical Representation 17
 - I. Embodiment: Concrete Re-presentation in Premodern France 29
 - 2. A New Political Aesthetic: Public Opinion and the Birth of the Modern Political Audience 52
 - Entr'acte. Public Opinion and the Theater 81
 - 3. The Resurrection and Refashioning of the Estates General 91
 - 4. Praxis: The Birth of the National Assembly and the Death of the Binding Mandate 124
 - 
                            II: REPRESENTATION IN THE REVOLUTION
 - 5. Metissage: The Merging of Theater and Politics in Revolutionary France 167
 - 6. Theater Critics: Reactions to Actors on the Political Stage 197
 - 7. The Fear and Ridicule of Revolutionary Representations 228
 - 8. Breaching the Fourth: Wall Spectators Storm the Stage, Actors Invade the Audience 258
 - Conclusion 295
 - Notes 301
 - Index 343
 
Kapitel in diesem Buch
- Frontmatter i
 - Contents v
 - Acknowledgments vii
 - Introduction 1
 - 
                            I: THE REVOLUTION IN REPRESENTATION
 - Prologue. A Parable: The Revolution in Theatrical Representation 17
 - I. Embodiment: Concrete Re-presentation in Premodern France 29
 - 2. A New Political Aesthetic: Public Opinion and the Birth of the Modern Political Audience 52
 - Entr'acte. Public Opinion and the Theater 81
 - 3. The Resurrection and Refashioning of the Estates General 91
 - 4. Praxis: The Birth of the National Assembly and the Death of the Binding Mandate 124
 - 
                            II: REPRESENTATION IN THE REVOLUTION
 - 5. Metissage: The Merging of Theater and Politics in Revolutionary France 167
 - 6. Theater Critics: Reactions to Actors on the Political Stage 197
 - 7. The Fear and Ridicule of Revolutionary Representations 228
 - 8. Breaching the Fourth: Wall Spectators Storm the Stage, Actors Invade the Audience 258
 - Conclusion 295
 - Notes 301
 - Index 343