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3· Melodrama, Morbidity, and Unthinking Sympathy: Gaskell' s Mary Barton and Ruth
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction 1
- 1. Mid-Victorian Conceptions of Character, Agency, and Reform: Social Science and the “Great Social Evil” 22
- 2. “The Taint the Very Tale Conveyed” : Self-Reading, Suspicion, and Fallenness in Dickens 66
- 3· Melodrama, Morbidity, and Unthinking Sympathy: Gaskell' s Mary Barton and Ruth 108
- 4 . Dramatic Monologue in Crisis: Agency and Exchange in D. G. Rossetti's “Jenny” 141
- 5 . Reproduced in Finer Motions: Encountering the Fallen in Barrett Browning's Aurora Leigh 167
- Afterword: Intersubjectivity and the Politics of Poststructuralism 198
- Works Cited 235
- Index 245
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction 1
- 1. Mid-Victorian Conceptions of Character, Agency, and Reform: Social Science and the “Great Social Evil” 22
- 2. “The Taint the Very Tale Conveyed” : Self-Reading, Suspicion, and Fallenness in Dickens 66
- 3· Melodrama, Morbidity, and Unthinking Sympathy: Gaskell' s Mary Barton and Ruth 108
- 4 . Dramatic Monologue in Crisis: Agency and Exchange in D. G. Rossetti's “Jenny” 141
- 5 . Reproduced in Finer Motions: Encountering the Fallen in Barrett Browning's Aurora Leigh 167
- Afterword: Intersubjectivity and the Politics of Poststructuralism 198
- Works Cited 235
- Index 245