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Chapters in this book
- Frontmatter i
- Contents ix
- List of Illustrations xi
- Acknowledgments xiii
- Introduction. Disciplining Music 1
- 1. Titus Andronicus and the Production of Musical Meaning 18
- 2. “Her speech is nothing”: Mad Speech and the Female Musician 45
- 3. Teaching Music: The Rule of Allegory 77
- 4. Impolitic Noise: Resisting Orpheus from Julius Caesar to The Tempest 142
- 5. Shakespeare’s Idolatry: Psalms and Hornpipes in The Winter’s Tale 180
- 6. The Reforming of Reformation: Milton’s A Maske 213
- Selected Bibliography 243
- Index 257
Chapters in this book
- Frontmatter i
- Contents ix
- List of Illustrations xi
- Acknowledgments xiii
- Introduction. Disciplining Music 1
- 1. Titus Andronicus and the Production of Musical Meaning 18
- 2. “Her speech is nothing”: Mad Speech and the Female Musician 45
- 3. Teaching Music: The Rule of Allegory 77
- 4. Impolitic Noise: Resisting Orpheus from Julius Caesar to The Tempest 142
- 5. Shakespeare’s Idolatry: Psalms and Hornpipes in The Winter’s Tale 180
- 6. The Reforming of Reformation: Milton’s A Maske 213
- Selected Bibliography 243
- Index 257