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7 Archaism and the Critics: Disenchantment
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Susan Rather
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Chapters in this book
- Frontmatter i
- Contents vii
- Illustrations ix
- Acknowledgments xiii
- Introduction 1
- 1 The American Academy in Rome and the Formation of Manship's Archaism 9
- 2 The Archaeological Background 40
- 3 Archaism as Modernism: Content and Technique 51
- 4 Centaur and Dryad: Manship's Art in Context 76
- 5 Archaism from Other Places and in Other Modes 107
- 6 Archaism during the 1920s and 1930s: Decorative and Monumental 132
- 7 Archaism and the Critics: Disenchantment 164
- Appendix: "The Decorative Value of Greek Sculpture" 183
- Note 191
- Bibliography of Works Cited 237
- Index 259
Chapters in this book
- Frontmatter i
- Contents vii
- Illustrations ix
- Acknowledgments xiii
- Introduction 1
- 1 The American Academy in Rome and the Formation of Manship's Archaism 9
- 2 The Archaeological Background 40
- 3 Archaism as Modernism: Content and Technique 51
- 4 Centaur and Dryad: Manship's Art in Context 76
- 5 Archaism from Other Places and in Other Modes 107
- 6 Archaism during the 1920s and 1930s: Decorative and Monumental 132
- 7 Archaism and the Critics: Disenchantment 164
- Appendix: "The Decorative Value of Greek Sculpture" 183
- Note 191
- Bibliography of Works Cited 237
- Index 259
