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13 – Documentary Photography as Gender Testimony
Daniel Hernández-Salazar’s So That All Shall Know
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David William Foster
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Chapters in this book
- Frontmatter i
- Contents v
- Preface vii
- 1 – Dreaming in Feminin 1
- 2 – Annemarie Heinrich 18
- 3 – Woman, Prostitution, and Modernity in Fin-de-siècle Mexico 38
- 4 – Buenos Aires and Women in Crisis 47
- 5 – Girls Will Be Girls 63
- 6 – Pedro Meyer 72
- 7 – Discovering the Male Body 84
- 8 – Queering Gender in Graciela Iturbide’s Juchitán de las mujeres 90
- 9 – Guille and Belinda 106
- 10 – Homosocialism ◀▶ Homoeroticism in the Photography of Marcos López 114
- 11 – Performing Masculine Heterosexuality in Stefan Ruiz’s Photography of Mexican Soap Operas 128
- 12 – Helen Zout’s Desapariciones 139
- 13 – Documentary Photography as Gender Testimony 153
- Notes 165
- Works Cited 181
- Index 195
Chapters in this book
- Frontmatter i
- Contents v
- Preface vii
- 1 – Dreaming in Feminin 1
- 2 – Annemarie Heinrich 18
- 3 – Woman, Prostitution, and Modernity in Fin-de-siècle Mexico 38
- 4 – Buenos Aires and Women in Crisis 47
- 5 – Girls Will Be Girls 63
- 6 – Pedro Meyer 72
- 7 – Discovering the Male Body 84
- 8 – Queering Gender in Graciela Iturbide’s Juchitán de las mujeres 90
- 9 – Guille and Belinda 106
- 10 – Homosocialism ◀▶ Homoeroticism in the Photography of Marcos López 114
- 11 – Performing Masculine Heterosexuality in Stefan Ruiz’s Photography of Mexican Soap Operas 128
- 12 – Helen Zout’s Desapariciones 139
- 13 – Documentary Photography as Gender Testimony 153
- Notes 165
- Works Cited 181
- Index 195
