3. There’s No Place Like Aztlán: Homeland Myths and Embodied Aesthetics

Alicia Gaspar de Alba

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3. There’s No Place Like Aztlán: Homeland Myths and Embodied Aesthetics

Alicia Gaspar de Alba

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Gaspar de Alba, Alicia. "3. There’s No Place Like Aztlán: Homeland Myths and Embodied Aesthetics". [Un]framing the "Bad Woman": Sor Juana, Malinche, Coyolxauhqui, and Other Rebels with a Cause, New York, USA: University of Texas Press, 2014, pp. 81-130. https://doi.org/10.7560/757615-007

Gaspar de Alba, A. (2014). 3. There’s No Place Like Aztlán: Homeland Myths and Embodied Aesthetics. In [Un]framing the "Bad Woman": Sor Juana, Malinche, Coyolxauhqui, and Other Rebels with a Cause (pp. 81-130). New York, USA: University of Texas Press. https://doi.org/10.7560/757615-007

Gaspar de Alba, A. 2014. 3. There’s No Place Like Aztlán: Homeland Myths and Embodied Aesthetics. [Un]framing the "Bad Woman": Sor Juana, Malinche, Coyolxauhqui, and Other Rebels with a Cause. New York, USA: University of Texas Press, pp. 81-130. https://doi.org/10.7560/757615-007

Gaspar de Alba, Alicia. "3. There’s No Place Like Aztlán: Homeland Myths and Embodied Aesthetics" In [Un]framing the "Bad Woman": Sor Juana, Malinche, Coyolxauhqui, and Other Rebels with a Cause, 81-130. New York, USA: University of Texas Press, 2014. https://doi.org/10.7560/757615-007

Gaspar de Alba A. 3. There’s No Place Like Aztlán: Homeland Myths and Embodied Aesthetics. In: [Un]framing the "Bad Woman": Sor Juana, Malinche, Coyolxauhqui, and Other Rebels with a Cause. New York, USA: University of Texas Press; 2014. p.81-130. https://doi.org/10.7560/757615-007

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Chapters in this book

Frontmatter i
Contents vii
Preface: Letter to Gloria Anzaldúa, in Gratitude for Your Tongues of Fire ix
Acknowledgments xxiii
Introduction: Activist Scholarship and the Historical Vortex of the “Bad Woman” 1
1. The Politics of Location of La Décima Musa: Prelude to an Interview 41
Interview with Sor Juana Inés de la Cruz 54
2. Malinche’s Revenge 65
3. There’s No Place Like Aztlán: Homeland Myths and Embodied Aesthetics 81
4. Coyolxauhqui and Las “Maqui-Locas”: Re-Membering the Sacrificed Daughters of Ciudad Juárez 131
5. Mapping the Labyrinth: The Anti–Detective Novel and the Mysterious Missing Brother 175
6. Devil in a Rose Bikini: The Inquisition Continues 203
7. The Sor Juana Chronicles 247
Epilogue: To Your Shadow-Beast: In Memoriam 291
Notes 293
Bibliography 327
Reprint Permissions 347
Index 349

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https://doi.org/10.7560/757615-007

Chapters in this book

Frontmatter i
Contents vii
Preface: Letter to Gloria Anzaldúa, in Gratitude for Your Tongues of Fire ix
Acknowledgments xxiii
Introduction: Activist Scholarship and the Historical Vortex of the “Bad Woman” 1
1. The Politics of Location of La Décima Musa: Prelude to an Interview 41
Interview with Sor Juana Inés de la Cruz 54
2. Malinche’s Revenge 65
3. There’s No Place Like Aztlán: Homeland Myths and Embodied Aesthetics 81
4. Coyolxauhqui and Las “Maqui-Locas”: Re-Membering the Sacrificed Daughters of Ciudad Juárez 131
5. Mapping the Labyrinth: The Anti–Detective Novel and the Mysterious Missing Brother 175
6. Devil in a Rose Bikini: The Inquisition Continues 203
7. The Sor Juana Chronicles 247
Epilogue: To Your Shadow-Beast: In Memoriam 291
Notes 293
Bibliography 327
Reprint Permissions 347
Index 349

3. There’s No Place Like Aztlán: Homeland Myths and Embodied Aesthetics

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