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        2. The 1930s and the Texas Centennial
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        Katie Robinson Edwards
        
                                    
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                                            Kapitel in diesem Buch
- Frontmatter i
- Contents vi
- Acknowledgments viii
- 1. The Modernist Impulse and Texas Art 1
- 2. The 1930s and the Texas Centennial 29
- 3. Houston and the Foundations of Early Texas Modernism 61
- 4. Early Practitioners of Abstraction and Nonobjectivity 79
- 5. The Fort Worth Circle 115
- 6. The University of Texas at Austin in the 1940s and 1950s 137
- 7. The 1950s and Houston 169
- 8. Sculpture in and around the Studio of Charles Williams 207
- 9. Are Texans American? 239
- Postscript 257
- Appendix. Selected Artists’ Biographies 263
- Notes 297
- Bibliography 339
- Illustration Credits 357
- Index 365
Kapitel in diesem Buch
- Frontmatter i
- Contents vi
- Acknowledgments viii
- 1. The Modernist Impulse and Texas Art 1
- 2. The 1930s and the Texas Centennial 29
- 3. Houston and the Foundations of Early Texas Modernism 61
- 4. Early Practitioners of Abstraction and Nonobjectivity 79
- 5. The Fort Worth Circle 115
- 6. The University of Texas at Austin in the 1940s and 1950s 137
- 7. The 1950s and Houston 169
- 8. Sculpture in and around the Studio of Charles Williams 207
- 9. Are Texans American? 239
- Postscript 257
- Appendix. Selected Artists’ Biographies 263
- Notes 297
- Bibliography 339
- Illustration Credits 357
- Index 365