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Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction 1
- 1. Vernacular Cosmopolitanism ■ Sigüenza y Góngora’s Teatro de Virtudes Políticas 26
- 2. Castas, Monstrous Bodies, and Soft Buildings 68
- 3. Experiments in the Representation of National Identity ■ The Pavilion of Mexico in the 1889 Universal Exposition in Paris and the Palacio de Bellas Artes 103
- 4. Of Ruins and Ghosts ■ The Social Functions of Pre-Hispanic Antiquity in Nineteenth-Century Mexico 141
- 5. Traces of the Past ■ Reevaluating Eclecticism in Nineteenth-Century Mexican Architecture 173
- 6. Visualizing the Future ■ Estridentismo, Technology, and Art 194
- 7. Re-creating the Past ■ Ignacio Marquina’s Reconstruction of the Templo Mayor de Tenochtitlan 221
- 8. Transnational Culture at the End of the Millennium ■ Rafael Lozano- Hemmer’s “Relational Architectures” 274
- Conclusion 301
- Notes 305
- References 373
- Index 419
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction 1
- 1. Vernacular Cosmopolitanism ■ Sigüenza y Góngora’s Teatro de Virtudes Políticas 26
- 2. Castas, Monstrous Bodies, and Soft Buildings 68
- 3. Experiments in the Representation of National Identity ■ The Pavilion of Mexico in the 1889 Universal Exposition in Paris and the Palacio de Bellas Artes 103
- 4. Of Ruins and Ghosts ■ The Social Functions of Pre-Hispanic Antiquity in Nineteenth-Century Mexico 141
- 5. Traces of the Past ■ Reevaluating Eclecticism in Nineteenth-Century Mexican Architecture 173
- 6. Visualizing the Future ■ Estridentismo, Technology, and Art 194
- 7. Re-creating the Past ■ Ignacio Marquina’s Reconstruction of the Templo Mayor de Tenochtitlan 221
- 8. Transnational Culture at the End of the Millennium ■ Rafael Lozano- Hemmer’s “Relational Architectures” 274
- Conclusion 301
- Notes 305
- References 373
- Index 419