Bibliography

Chapters in this book

1. Frontmatter i
2. Contents vii
3. Preface ix
4. Acknowledgments xv
5. CHAPTER ONE. Introduction: Between Art and Artifact 1
6. CHAPTER TWO. A Wood-Carving Community 28
7. CHAPTER THREE. Arrazola’s Other Craft 55
8. CHAPTER FOUR. Crafting the Past in the Present 81
9. CHAPTER FIVE. Replicating Authenticity, Authenticating Replicas 112
10. CHAPTER SIX. Replicas and the Ambiguity of Race and Indigeneity 144
11. CHAPTER SEVEN. Why Fake Jaguar Gods Matter 169
12. Notes 175
13. Bibliography 189
14. Index 205