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CHAPTER FIVE. Replicating Authenticity, Authenticating Replicas
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Ronda L. Brulotte
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Chapters in this book
- Frontmatter i
- Contents vii
- Preface ix
- Acknowledgments xv
- CHAPTER ONE. Introduction: Between Art and Artifact 1
- CHAPTER TWO. A Wood-Carving Community 28
- CHAPTER THREE. Arrazola’s Other Craft 55
- CHAPTER FOUR. Crafting the Past in the Present 81
- CHAPTER FIVE. Replicating Authenticity, Authenticating Replicas 112
- CHAPTER SIX. Replicas and the Ambiguity of Race and Indigeneity 144
- CHAPTER SEVEN. Why Fake Jaguar Gods Matter 169
- Notes 175
- Bibliography 189
- Index 205
Chapters in this book
- Frontmatter i
- Contents vii
- Preface ix
- Acknowledgments xv
- CHAPTER ONE. Introduction: Between Art and Artifact 1
- CHAPTER TWO. A Wood-Carving Community 28
- CHAPTER THREE. Arrazola’s Other Craft 55
- CHAPTER FOUR. Crafting the Past in the Present 81
- CHAPTER FIVE. Replicating Authenticity, Authenticating Replicas 112
- CHAPTER SIX. Replicas and the Ambiguity of Race and Indigeneity 144
- CHAPTER SEVEN. Why Fake Jaguar Gods Matter 169
- Notes 175
- Bibliography 189
- Index 205