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2. Made in 1933
German-Jewish Filmmakers and the Forced Coordination of the Industry
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Sabine Hake
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Chapters in this book
- Frontmatter i
- CONTENTS v
- Preface vii
- 1. Popular Cinema, National Cinema, Nazi Cinema 1
- 2. Made in 1933 23
- 3. Cinema, Set Design, and the Domestication of Modernism 46
- 4. At the Movies 68
- 5. Stars 87
- 6. Detlef Sierck and Schlußakkord (Final Chord, 1936) 107
- 7. The Foreign and the Familiar 128
- 8. The Annexation of an Imaginary City 149
- 9. The Power of Thought 172
- 10. A Question of Representation 189
- 11. The Legacies of the Past in the Cinema of Postwar Reconstruction 210
- Notes 231
- Select Bibliography 263
- Index of German Titles and Names 267
Chapters in this book
- Frontmatter i
- CONTENTS v
- Preface vii
- 1. Popular Cinema, National Cinema, Nazi Cinema 1
- 2. Made in 1933 23
- 3. Cinema, Set Design, and the Domestication of Modernism 46
- 4. At the Movies 68
- 5. Stars 87
- 6. Detlef Sierck and Schlußakkord (Final Chord, 1936) 107
- 7. The Foreign and the Familiar 128
- 8. The Annexation of an Imaginary City 149
- 9. The Power of Thought 172
- 10. A Question of Representation 189
- 11. The Legacies of the Past in the Cinema of Postwar Reconstruction 210
- Notes 231
- Select Bibliography 263
- Index of German Titles and Names 267
