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14. Summary of Part Two
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Chapters in this book
- Frontmatter i
- CONTENTS vii
- Acknowledgments ix
- Introduction 1
-
PART ONE. SEMBLANCE
- 1. Introduction to Part One 15
- 2. The Composition of a Semblance 17
- 3. Semblance and Purpose 35
- 4. Semblance and the Reader's Maturity 56
- 5. Three Special Problems 68
- 6. Summary of Part One 84
-
PART TWO. ABSTRACTIONS
- 7. Introduction to Part Two 87
- 8. Historical Context: The Logical Gap and Abstractions 91
- 9. Meaning, Significance, and the Author's Intention 111
- 10. Series and Probability 144
- 11. Limited Generalizations 167
- 12. Drama and Intention 179
- 13. The Nonrational 195
- 14. Summary of Part Two 228
-
PART THREE. VALIDATION
- 15. Introduction to Part Three 233
- 16. Forced Decisions and the Cultural Role of the Classroom 238
- 17. Multiple Hypotheses 248
- 18. The Discrimination Pool 259
- 19. The Concept of Intrinsic Genre 264
- 20. Mediation and the Concept of Order 276
- 21. Significant Others 303
- 22. Validation 314
- Notes 319
- Index 347
Chapters in this book
- Frontmatter i
- CONTENTS vii
- Acknowledgments ix
- Introduction 1
-
PART ONE. SEMBLANCE
- 1. Introduction to Part One 15
- 2. The Composition of a Semblance 17
- 3. Semblance and Purpose 35
- 4. Semblance and the Reader's Maturity 56
- 5. Three Special Problems 68
- 6. Summary of Part One 84
-
PART TWO. ABSTRACTIONS
- 7. Introduction to Part Two 87
- 8. Historical Context: The Logical Gap and Abstractions 91
- 9. Meaning, Significance, and the Author's Intention 111
- 10. Series and Probability 144
- 11. Limited Generalizations 167
- 12. Drama and Intention 179
- 13. The Nonrational 195
- 14. Summary of Part Two 228
-
PART THREE. VALIDATION
- 15. Introduction to Part Three 233
- 16. Forced Decisions and the Cultural Role of the Classroom 238
- 17. Multiple Hypotheses 248
- 18. The Discrimination Pool 259
- 19. The Concept of Intrinsic Genre 264
- 20. Mediation and the Concept of Order 276
- 21. Significant Others 303
- 22. Validation 314
- Notes 319
- Index 347