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Rebecca R. Stone

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Rebecca R. Stone

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Ein Kapitel aus dem Buch The Jaguar Within

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Stone, Rebecca R.. "Frontmatter". The Jaguar Within: Shamanic Trance in Ancient Central and South American Art, New York, USA: University of Texas Press, 2011, pp. i-vi. https://doi.org/10.7560/726260-fm

Stone, R. (2011). Frontmatter. In The Jaguar Within: Shamanic Trance in Ancient Central and South American Art (pp. i-vi). New York, USA: University of Texas Press. https://doi.org/10.7560/726260-fm

Stone, R. 2011. Frontmatter. The Jaguar Within: Shamanic Trance in Ancient Central and South American Art. New York, USA: University of Texas Press, pp. i-vi. https://doi.org/10.7560/726260-fm

Stone, Rebecca R.. "Frontmatter" In The Jaguar Within: Shamanic Trance in Ancient Central and South American Art, i-vi. New York, USA: University of Texas Press, 2011. https://doi.org/10.7560/726260-fm

Stone R. Frontmatter. In: The Jaguar Within: Shamanic Trance in Ancient Central and South American Art. New York, USA: University of Texas Press; 2011. p.i-vi. https://doi.org/10.7560/726260-fm

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Frontmatter i
Contents vii
Acknowledgments ix
Introduction 1
Chapter 1 General Recurrent Themes in the Phenomenology of Visions 13
Chapter 2 The Common Perceptual Phenomena and Stages of the Visionary Experience 34
Chapter 3 Visions and Shamanizing: The Intermediary Role, Anomalousness, Control, and Balance 49
Chapter 4 Embodying the Shaman in Trance: Embracing Creative Ambiguity 66
Chapter 5 Shamanic Embodiment in Ancient Costa Rican Art I: At the Human End and the Balance Point of the Flux Continuum 93
Chapter 6 Shamanic Embodiment in Ancient Costa Rican Art II: Toward the Animal End and Beyond the Flux Continuum 125
Chapter 7 Shamanic Embodiment in Ancient Central Andean Art I: Toward the Human End and the Balance Point of the Flux Continuum 149
Chapter 8 Shamanic Embodiment in Ancient Central Andean Art II: Toward the Animal End and Beyond the Flux Continuum 183
Conclusion 205
Notes 211
Works Cited 217
Index 225

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Kapitel in diesem Buch

Frontmatter i
Contents vii
Acknowledgments ix
Introduction 1
Chapter 1 General Recurrent Themes in the Phenomenology of Visions 13
Chapter 2 The Common Perceptual Phenomena and Stages of the Visionary Experience 34
Chapter 3 Visions and Shamanizing: The Intermediary Role, Anomalousness, Control, and Balance 49
Chapter 4 Embodying the Shaman in Trance: Embracing Creative Ambiguity 66
Chapter 5 Shamanic Embodiment in Ancient Costa Rican Art I: At the Human End and the Balance Point of the Flux Continuum 93
Chapter 6 Shamanic Embodiment in Ancient Costa Rican Art II: Toward the Animal End and Beyond the Flux Continuum 125
Chapter 7 Shamanic Embodiment in Ancient Central Andean Art I: Toward the Human End and the Balance Point of the Flux Continuum 149
Chapter 8 Shamanic Embodiment in Ancient Central Andean Art II: Toward the Animal End and Beyond the Flux Continuum 183
Conclusion 205
Notes 211
Works Cited 217
Index 225

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