Appendix: ¿Quién es el diablo, cómo y por qué duerme? La lectura de una película chicana en México

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1. Frontmatter i
2. Contents vi
3. Acknowledgments ix
4. Introduction 1
5. Part One: The Woman behind the Camera
6. 1. Interview with Lourdes Portillo (1998) 25
7. 2. Interview with Lourdes Portillo (1994) 40
8. 3. Interview with Lourdes Portillo (1990) 48
9. Part Two: Critical Perspectives
10. 4. Devils and Ghosts, Mothers and Immigrants: A Critical Retrospective of the Works of Lourdes Portillo 75
11. 5. Ironic Framings: A Queer Reading of the Family (Melo)drama in Lourdes Portillo’s The Devil Never Sleeps/El diablo nunca duerme 102
12. 6. Performances of The Devil Never Sleeps/El diablo nunca duerme 119
13. 7. Who Is the Devil, and How or Why Does He or She Sleep? Viewing a Chicana Film in Mexico 144
14. 18. Pinning Down the Bad-Luck Butterfly: Photography and Identity in the Films of Lourdes Portillo 160
15. Part Three: Production Materials
16. 9. Script notes for Después del terremoto 192
17. 10. Cast List for Después del terremoto 203
18. 11. Funding application for Después del terremoto 207
19. 12. Letter for Oscar Nomination of Las Madres: The Mothers of the Plaza de Mayo 210
20. 13. Transcript for English and Spanish narration of La Ofrenda: The Days of the Dead 211
21. 14. Transcript for interviews in La Ofrenda 239
22. 15. Screenplay for Columbus on Trial 243
23. 16. Floor plans for set design of Columbus on Trial 256
24. 17. Storyboard for Columbus on Trial 259
25. Appendix: ¿Quién es el diablo, cómo y por qué duerme? La lectura de una película chicana en México 281
26. Filmography 296
27. Major Awards and Honors 297
28. Notes 300
29. Notes on Contributors 312
30. Index 314