Chapter Two. Eisenstein in America: The ¡Que Viva México! Debates and Emergent Popular Front U.S. Film Theory and Criticism

Chris Robé

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Chapter Two. Eisenstein in America: The ¡Que Viva México! Debates and Emergent Popular Front U.S. Film Theory and Criticism

Chris Robé

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Harvard
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Robé, Chris. "Chapter Two. Eisenstein in America: The ¡Que Viva México! Debates and Emergent Popular Front U.S. Film Theory and Criticism". Left of Hollywood: Cinema, Modernism, and the Emergence of U.S. Radical Film Culture, New York, USA: University of Texas Press, 2010, pp. 80-131. https://doi.org/10.7560/722965-004

Robé, C. (2010). Chapter Two. Eisenstein in America: The ¡Que Viva México! Debates and Emergent Popular Front U.S. Film Theory and Criticism. In Left of Hollywood: Cinema, Modernism, and the Emergence of U.S. Radical Film Culture (pp. 80-131). New York, USA: University of Texas Press. https://doi.org/10.7560/722965-004

Robé, C. 2010. Chapter Two. Eisenstein in America: The ¡Que Viva México! Debates and Emergent Popular Front U.S. Film Theory and Criticism. Left of Hollywood: Cinema, Modernism, and the Emergence of U.S. Radical Film Culture. New York, USA: University of Texas Press, pp. 80-131. https://doi.org/10.7560/722965-004

Robé, Chris. "Chapter Two. Eisenstein in America: The ¡Que Viva México! Debates and Emergent Popular Front U.S. Film Theory and Criticism" In Left of Hollywood: Cinema, Modernism, and the Emergence of U.S. Radical Film Culture, 80-131. New York, USA: University of Texas Press, 2010. https://doi.org/10.7560/722965-004

Robé C. Chapter Two. Eisenstein in America: The ¡Que Viva México! Debates and Emergent Popular Front U.S. Film Theory and Criticism. In: Left of Hollywood: Cinema, Modernism, and the Emergence of U.S. Radical Film Culture. New York, USA: University of Texas Press; 2010. p.80-131. https://doi.org/10.7560/722965-004

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Frontmatter i
Contents v
Acknowledgments vii
Introduction. Unfinished Promises to an Orphaned Time 1
Chapter One. Montage, Realism, and the Male Gaze 37
Chapter Two. Eisenstein in America: The ¡Que Viva México! Debates and Emergent Popular Front U.S. Film Theory and Criticism 80
Chapter Three. Screening Race: The Antilynching Film, the Black Press, and U.S. Popular Front Film Criticism 132
Chapter Four. Taking Hollywood Back: Gendered Histories of the Hollywood Costume Drama, the Biopic, and Jean Renoir’s La Marseillaise 192
Conclusion. Fragments of the Future 229
Notes 237
Bibliography 271
Index 289

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https://doi.org/10.7560/722965-004

Kapitel in diesem Buch

Frontmatter i
Contents v
Acknowledgments vii
Introduction. Unfinished Promises to an Orphaned Time 1
Chapter One. Montage, Realism, and the Male Gaze 37
Chapter Two. Eisenstein in America: The ¡Que Viva México! Debates and Emergent Popular Front U.S. Film Theory and Criticism 80
Chapter Three. Screening Race: The Antilynching Film, the Black Press, and U.S. Popular Front Film Criticism 132
Chapter Four. Taking Hollywood Back: Gendered Histories of the Hollywood Costume Drama, the Biopic, and Jean Renoir’s La Marseillaise 192
Conclusion. Fragments of the Future 229
Notes 237
Bibliography 271
Index 289

Chapter Two. Eisenstein in America: The ¡Que Viva México! Debates and Emergent Popular Front U.S. Film Theory and Criticism

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