Introduction Visualizing and Romancing the Revolution

Zuzana M. Pick

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Introduction Visualizing and Romancing the Revolution

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Pick, Zuzana M.. "Introduction Visualizing and Romancing the Revolution". Constructing the Image of the Mexican Revolution: Cinema and the Archive, New York, USA: University of Texas Press, 2009, pp. 1-10. https://doi.org/10.7560/721081-002

Pick, Z. (2009). Introduction Visualizing and Romancing the Revolution. In Constructing the Image of the Mexican Revolution: Cinema and the Archive (pp. 1-10). New York, USA: University of Texas Press. https://doi.org/10.7560/721081-002

Pick, Z. 2009. Introduction Visualizing and Romancing the Revolution. Constructing the Image of the Mexican Revolution: Cinema and the Archive. New York, USA: University of Texas Press, pp. 1-10. https://doi.org/10.7560/721081-002

Pick, Zuzana M.. "Introduction Visualizing and Romancing the Revolution" In Constructing the Image of the Mexican Revolution: Cinema and the Archive, 1-10. New York, USA: University of Texas Press, 2009. https://doi.org/10.7560/721081-002

Pick Z. Introduction Visualizing and Romancing the Revolution. In: Constructing the Image of the Mexican Revolution: Cinema and the Archive. New York, USA: University of Texas Press; 2009. p.1-10. https://doi.org/10.7560/721081-002

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Chapters in this book

Frontmatter i
Contents vii
Acknowledgments ix
Introduction Visualizing and Romancing the Revolution 1
Chapter 1 The Revolution as Media Event: Documentary Image and the Archive 11
Chapter 2 Historicity and the Archive: Reconstruction and Appropriation 39
Chapter 3 Pancho Villa on Two Sides of the Border 69
Chapter 4 Avant-Garde Gestures and Nationalist Images of Mexico in Eisenstein’s Unfinished Project 97
Chapter 5 Reconfiguring the Revolution: Celebrity and Melodrama 125
Chapter 6 The Aesthetics of Spectacle 145
Chapter 7 Competing Narratives and Converging Visions 176
Conclusion. Thoughts on Working with the Archive 209
Notes 219
Bibliography 231
Index 243

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https://doi.org/10.7560/721081-002

Chapters in this book

Frontmatter i
Contents vii
Acknowledgments ix
Introduction Visualizing and Romancing the Revolution 1
Chapter 1 The Revolution as Media Event: Documentary Image and the Archive 11
Chapter 2 Historicity and the Archive: Reconstruction and Appropriation 39
Chapter 3 Pancho Villa on Two Sides of the Border 69
Chapter 4 Avant-Garde Gestures and Nationalist Images of Mexico in Eisenstein’s Unfinished Project 97
Chapter 5 Reconfiguring the Revolution: Celebrity and Melodrama 125
Chapter 6 The Aesthetics of Spectacle 145
Chapter 7 Competing Narratives and Converging Visions 176
Conclusion. Thoughts on Working with the Archive 209
Notes 219
Bibliography 231
Index 243

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Introduction Visualizing and Romancing the Revolution

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