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How to Steal from Hitchcock
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Chapters in this book
- Frontmatter i
- Contents v
- Introduction 1
-
PART I: PSYCHO RECYCLED
- For Ever Hitchcock Psycho and Its Remakes 15
- Hitchcockian Silence Psycho and Jonathan Demme’s The Silence of the Lambs 31
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PART II: THE RETURN OF THE REPRESSED
- Shadows of Shadow of a Doubt 49
- Psycho or Psychic? Hitchcock, Dead Again, and the Paranormal 65
-
PART III: THE POLITICS OF INTERTEXTUALITY
- The Hitchcock Romance and the ’70s Paranoid Thriller 85
- Exposing the Lies of Hitchcock’s Truth 109
-
PART IV: FOUND IN TRANSLATION
- Red Blood on White Bread: Hitchcock, Chabrol, and French Cinema 127
- “You’re Tellin’ Me You Didn’t See” Hitchcock’s Rear Window and Antonioni’s Blow-Up 145
- Melo-Thriller Hitchcock, Genre, and Nationalism in Pedro Almodóvar’s Women on the Verge of a Nervous Breakdown 173
- “Knowing Too Much” about Hitchcock The Genesis of the Italian Giallo 195
- PART V: THEORETICALLY HITCHCOCKIAN 215
- Death at Work Hitchcock’s Violence and Spectator Identification 217
- Hitchcock and the Classical Paradigm 235
-
PART VI: MODUS OPERANDI
- How to Steal from Hitchcock 251
- Notes on Contributors 271
- Index 275
Chapters in this book
- Frontmatter i
- Contents v
- Introduction 1
-
PART I: PSYCHO RECYCLED
- For Ever Hitchcock Psycho and Its Remakes 15
- Hitchcockian Silence Psycho and Jonathan Demme’s The Silence of the Lambs 31
-
PART II: THE RETURN OF THE REPRESSED
- Shadows of Shadow of a Doubt 49
- Psycho or Psychic? Hitchcock, Dead Again, and the Paranormal 65
-
PART III: THE POLITICS OF INTERTEXTUALITY
- The Hitchcock Romance and the ’70s Paranoid Thriller 85
- Exposing the Lies of Hitchcock’s Truth 109
-
PART IV: FOUND IN TRANSLATION
- Red Blood on White Bread: Hitchcock, Chabrol, and French Cinema 127
- “You’re Tellin’ Me You Didn’t See” Hitchcock’s Rear Window and Antonioni’s Blow-Up 145
- Melo-Thriller Hitchcock, Genre, and Nationalism in Pedro Almodóvar’s Women on the Verge of a Nervous Breakdown 173
- “Knowing Too Much” about Hitchcock The Genesis of the Italian Giallo 195
- PART V: THEORETICALLY HITCHCOCKIAN 215
- Death at Work Hitchcock’s Violence and Spectator Identification 217
- Hitchcock and the Classical Paradigm 235
-
PART VI: MODUS OPERANDI
- How to Steal from Hitchcock 251
- Notes on Contributors 271
- Index 275