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Introduction
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Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction: Science Fiction’s Alien Constructions 1
-
PART I Difference, Identity, and Colonial Experience in Feminist Science Fiction
- Introduction 35
- 1. Cultural Chameleons: Anticolonial Identities and Resistance in Octavia E. Butler’s Survivor and Dawn 43
- 2. The Alien in Us: Metaphors of Transgression in the Work of Octavia E. Butler 67
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PART II Technologies and Gender in Science Fiction Film
- Introduction 103
- 3. Technoscience’s Stepdaughter: The Feminist Cyborg in Alien Resurrection 108
- 4. Our Bodies as Our Selves Body, Subjectivity, and (Virtual) Reality in The Matrix 149
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PART III Posthuman Embodiment: Deviant Bodies, Desire, and Feminist Politics
- Introduction 177
- 5. The Anatomy of Dystopia: Female Technobodies and the Death of Desire in Richard Calder’s Dead Girls 183
- 6. Beyond Binary Gender: Genderqueer Identities and Intersexed Bodies in Octavia E. Butler’s Wild Seed and Imago and Melissa Scott’s Shadow Man 219
- Conclusion 259
- Notes 265
- Bibliography 299
- Index 317
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Introduction: Science Fiction’s Alien Constructions 1
-
PART I Difference, Identity, and Colonial Experience in Feminist Science Fiction
- Introduction 35
- 1. Cultural Chameleons: Anticolonial Identities and Resistance in Octavia E. Butler’s Survivor and Dawn 43
- 2. The Alien in Us: Metaphors of Transgression in the Work of Octavia E. Butler 67
-
PART II Technologies and Gender in Science Fiction Film
- Introduction 103
- 3. Technoscience’s Stepdaughter: The Feminist Cyborg in Alien Resurrection 108
- 4. Our Bodies as Our Selves Body, Subjectivity, and (Virtual) Reality in The Matrix 149
-
PART III Posthuman Embodiment: Deviant Bodies, Desire, and Feminist Politics
- Introduction 177
- 5. The Anatomy of Dystopia: Female Technobodies and the Death of Desire in Richard Calder’s Dead Girls 183
- 6. Beyond Binary Gender: Genderqueer Identities and Intersexed Bodies in Octavia E. Butler’s Wild Seed and Imago and Melissa Scott’s Shadow Man 219
- Conclusion 259
- Notes 265
- Bibliography 299
- Index 317