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2. Pedro Infante Unveiled: Masculinities in the Mexican “Buddy Movie”
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Sergio de la Mora
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Kapitel in diesem Buch
- Frontmatter i
- Contents vi
- Preface. How I Too Came to Love Pedro Infante viii
- Acknowledgments xv
- Introduction. Macho Nation? 1
- 1. “Midnight Virgin”: Melodramas of Prostitution in Literature and Film 21
- 2. Pedro Infante Unveiled: Masculinities in the Mexican “Buddy Movie” 68
- 3. The Last Dance: (Homo)Sexuality and Representation in Arturo Ripstein’s El lugar sin límites and the Fichera Subgenre 105
- 4. Mexico’s Third-Wave New Cinema and the Cultural Politics of Film 135
- Epilogue. Mexican Cinema is Dead! Long Live Mexican Cinema! 163
- Notes 180
- Works Consulted 197
- Index 227
Kapitel in diesem Buch
- Frontmatter i
- Contents vi
- Preface. How I Too Came to Love Pedro Infante viii
- Acknowledgments xv
- Introduction. Macho Nation? 1
- 1. “Midnight Virgin”: Melodramas of Prostitution in Literature and Film 21
- 2. Pedro Infante Unveiled: Masculinities in the Mexican “Buddy Movie” 68
- 3. The Last Dance: (Homo)Sexuality and Representation in Arturo Ripstein’s El lugar sin límites and the Fichera Subgenre 105
- 4. Mexico’s Third-Wave New Cinema and the Cultural Politics of Film 135
- Epilogue. Mexican Cinema is Dead! Long Live Mexican Cinema! 163
- Notes 180
- Works Consulted 197
- Index 227