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Notes on Contributors
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Chapters in this book
- Frontmatter i
- Contents v
- Editors' Introduction vii
- History and Myth in the Narrative of Carlos Fuentes 1
- Los dias enmascarados and Cantor de ciegos: Reading the Stories and Reading the Books 18
- The Making of La region mas transparente: 1949-1974 34
- La muerte de Artemio Cruz and Citizen Kane: A Comparative Analysis 64
- Theme and System in Carlos Fuentes' Aura 95
- The Wounded Vision: Aum, Zona sagrada, and Cumpleanos 106
- A Change of Skin and the Shaping of a Mexican Time 121
- Terra Nostra: Theory and Practice 132
- On Becoming Velazquez: Carlos Fuentes7 The Hydra Head 146
- Forking Paths, Infinite Novels, Ultimate Narrators 156
- Dolls and Puppets as Wish-Fulfillment Symbols in Carlos Fuentes 173
- Carlos Fuentes as Dramatist 184
- Carlos Fuentes as an Art Critic 193
- Some Remarks on the Literary Criticism of Carlos Fuentes 200
- Chronology 217
- Notes on Contributors 219
Chapters in this book
- Frontmatter i
- Contents v
- Editors' Introduction vii
- History and Myth in the Narrative of Carlos Fuentes 1
- Los dias enmascarados and Cantor de ciegos: Reading the Stories and Reading the Books 18
- The Making of La region mas transparente: 1949-1974 34
- La muerte de Artemio Cruz and Citizen Kane: A Comparative Analysis 64
- Theme and System in Carlos Fuentes' Aura 95
- The Wounded Vision: Aum, Zona sagrada, and Cumpleanos 106
- A Change of Skin and the Shaping of a Mexican Time 121
- Terra Nostra: Theory and Practice 132
- On Becoming Velazquez: Carlos Fuentes7 The Hydra Head 146
- Forking Paths, Infinite Novels, Ultimate Narrators 156
- Dolls and Puppets as Wish-Fulfillment Symbols in Carlos Fuentes 173
- Carlos Fuentes as Dramatist 184
- Carlos Fuentes as an Art Critic 193
- Some Remarks on the Literary Criticism of Carlos Fuentes 200
- Chronology 217
- Notes on Contributors 219