INTRODUCTION Design for Television as a Subject for Study: The Critical Background

Piers D. Britton; Simon J. Barker

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INTRODUCTION Design for Television as a Subject for Study: The Critical Background

Piers D. Britton und Simon J. Barker

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Britton, Piers D. and Barker, Simon J.. "INTRODUCTION Design for Television as a Subject for Study: The Critical Background". Reading between Designs: Visual Imagery and the Generation of Meaning in The Avengers, The Prisoner, and Doctor Who, New York, USA: University of Texas Press, 2003, pp. 1-10. https://doi.org/10.7560/709263-004

Britton, P. & Barker, S. (2003). INTRODUCTION Design for Television as a Subject for Study: The Critical Background. In Reading between Designs: Visual Imagery and the Generation of Meaning in The Avengers, The Prisoner, and Doctor Who (pp. 1-10). New York, USA: University of Texas Press. https://doi.org/10.7560/709263-004

Britton, P. and Barker, S. 2003. INTRODUCTION Design for Television as a Subject for Study: The Critical Background. Reading between Designs: Visual Imagery and the Generation of Meaning in The Avengers, The Prisoner, and Doctor Who. New York, USA: University of Texas Press, pp. 1-10. https://doi.org/10.7560/709263-004

Britton, Piers D. and Barker, Simon J.. "INTRODUCTION Design for Television as a Subject for Study: The Critical Background" In Reading between Designs: Visual Imagery and the Generation of Meaning in The Avengers, The Prisoner, and Doctor Who, 1-10. New York, USA: University of Texas Press, 2003. https://doi.org/10.7560/709263-004

Britton P, Barker S. INTRODUCTION Design for Television as a Subject for Study: The Critical Background. In: Reading between Designs: Visual Imagery and the Generation of Meaning in The Avengers, The Prisoner, and Doctor Who. New York, USA: University of Texas Press; 2003. p.1-10. https://doi.org/10.7560/709263-004

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Frontmatter i
Contents vii
FOREWORD ix
ACKNOWLEDGMENTS xi
INTRODUCTION Design for Television as a Subject for Study: The Critical Background 1
CHAPTER ONE Making a Spectacle: Design for Television in the Arena of Cultural Studies 11
CHAPTER TWO Agents Extraordinary: Stylishness and the Sense of Play in Design for The Avengers 36
CHAPTER THREE Your Village: Cultural Traps in The Prisoner 94
CHAPTER FOUR Worlds Apart: Originality and Conservatism in the Imagery of Doctor Who 131
AFTERWORD 196
NOTES 209
BIBLIOGRAPHY 233
INDEX 241

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https://doi.org/10.7560/709263-004

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Frontmatter i
Contents vii
FOREWORD ix
ACKNOWLEDGMENTS xi
INTRODUCTION Design for Television as a Subject for Study: The Critical Background 1
CHAPTER ONE Making a Spectacle: Design for Television in the Arena of Cultural Studies 11
CHAPTER TWO Agents Extraordinary: Stylishness and the Sense of Play in Design for The Avengers 36
CHAPTER THREE Your Village: Cultural Traps in The Prisoner 94
CHAPTER FOUR Worlds Apart: Originality and Conservatism in the Imagery of Doctor Who 131
AFTERWORD 196
NOTES 209
BIBLIOGRAPHY 233
INDEX 241

INTRODUCTION Design for Television as a Subject for Study: The Critical Background

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