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Afterword: Sound as a Point of Departure

  • Esther Díaz Martín
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Radiophonic Feminisms
This chapter is in the book Radiophonic Feminisms

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. Illustrations ix
  4. Note on Language xi
  5. Introduction: What Does Latina Feminism Sound Like? 1
  6. CHAPTER 1 Listening within Nepantla: A Chicana Methodology 29
  7. CHAPTER 2 Alicia Alarcón en Acción: Voicing Latino Working-Class Feminism on AM Talk Radio 53
  8. CHAPTER 3 Marlene Quinto, “La Vozalona”: Sounding Feminist Desmadre 97
  9. CHAPTER 4 Mamás, M(others), and Mamis: Convivencia in Latina Podcasting 135
  10. Afterword: Sound as a Point of Departure 175
  11. Acknowledgments 181
  12. Notes 187
  13. Bibliography 223
  14. Index 243
https://doi.org/10.7560/331729-008

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. Illustrations ix
  4. Note on Language xi
  5. Introduction: What Does Latina Feminism Sound Like? 1
  6. CHAPTER 1 Listening within Nepantla: A Chicana Methodology 29
  7. CHAPTER 2 Alicia Alarcón en Acción: Voicing Latino Working-Class Feminism on AM Talk Radio 53
  8. CHAPTER 3 Marlene Quinto, “La Vozalona”: Sounding Feminist Desmadre 97
  9. CHAPTER 4 Mamás, M(others), and Mamis: Convivencia in Latina Podcasting 135
  10. Afterword: Sound as a Point of Departure 175
  11. Acknowledgments 181
  12. Notes 187
  13. Bibliography 223
  14. Index 243
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