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Three. Retconning CGI Innovation

ILM’s Rhetorical Dominance of Effects History
© 2022 University of Texas Press

© 2022 University of Texas Press

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Acknowledgments vii
  4. Introduction: The ILM Version 1
  5. One. ILM Versus Everybody Else 25
  6. Two. Perfect Imperfection 59
  7. Three. Retconning CGI Innovation 109
  8. Four. Monsters Are Real 144
  9. Five. That Analog Feeling 184
  10. CONCLUSION. Unreal Engine 216
  11. Appendix: List of Films Mentioned in the Text 223
  12. Notes 229
  13. Bibliography 273
  14. Index 295
The Empire of Effects
This chapter is in the book The Empire of Effects
https://doi.org/10.7560/325308-005

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Acknowledgments vii
  4. Introduction: The ILM Version 1
  5. One. ILM Versus Everybody Else 25
  6. Two. Perfect Imperfection 59
  7. Three. Retconning CGI Innovation 109
  8. Four. Monsters Are Real 144
  9. Five. That Analog Feeling 184
  10. CONCLUSION. Unreal Engine 216
  11. Appendix: List of Films Mentioned in the Text 223
  12. Notes 229
  13. Bibliography 273
  14. Index 295
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