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A Comic Book Life/Style: World Building in American Splendor
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Matt Yockey
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Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments xi
- Introduction 1
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PART ONE ISSUES AND DEBATES
- The Crossroads of Infinity, or Universum Incognitum 19
- From Adaptation to Extension: A History of Comics Adapting Films, 1974–2015 36
- Take the Movie Home! How the Comic Book Tie-In Anticipated Transmedia Production 49
- Manga, Anime, Adaptation: Economic Strategies, Aesthetic Specificities, Social Issues 70
- Genre and Superhero Cinema 92
- Destroying the Rainbow Bridge: Representations of Heterosexuality in Marvel Superhero Narratives 110
- Mutatis Mutandis: Constructing Fidelity in the Comic Book Film Adaptation 126
- “We Roller Coaster Through . . . ” : Screenwriting, Narrative Economy, and the Inscription of the Haptic in Tentpole Comic Book Movies 140
- Adaptation and Seriality: Comic Book to Television Series Adaptations 151
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PART TWO PANELS AND FRAMES
- Felix in—and out of—Space 169
- A Comic Book Life/Style: World Building in American Splendor 184
- The Extraordinary Career of Modesty Blaise 199
- Authenticity and Judge Dredd on Film 214
- CGI as Adaptation Strategy: Can a Digitally Constructed Spider-Man Do Whatever a Hand-Drawn Spider-Man Can? 232
- Scott Pilgrim’s Precious Little Texts: Adaptation, Form, and Transmedia Co-creation 246
- Transmedia Adaptation and Writing in the Margins: A Graphic Expansion of George Romero’s Night of the Living Dead 265
- Agency and Intertextuality: Tank Girl, Subcultural Aesthetics, and the Strong Female Protagonist 279
- Black Panther: Aspiration, Identification, and Appropriation 296
- Contributors 313
- Index 319
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments xi
- Introduction 1
-
PART ONE ISSUES AND DEBATES
- The Crossroads of Infinity, or Universum Incognitum 19
- From Adaptation to Extension: A History of Comics Adapting Films, 1974–2015 36
- Take the Movie Home! How the Comic Book Tie-In Anticipated Transmedia Production 49
- Manga, Anime, Adaptation: Economic Strategies, Aesthetic Specificities, Social Issues 70
- Genre and Superhero Cinema 92
- Destroying the Rainbow Bridge: Representations of Heterosexuality in Marvel Superhero Narratives 110
- Mutatis Mutandis: Constructing Fidelity in the Comic Book Film Adaptation 126
- “We Roller Coaster Through . . . ” : Screenwriting, Narrative Economy, and the Inscription of the Haptic in Tentpole Comic Book Movies 140
- Adaptation and Seriality: Comic Book to Television Series Adaptations 151
-
PART TWO PANELS AND FRAMES
- Felix in—and out of—Space 169
- A Comic Book Life/Style: World Building in American Splendor 184
- The Extraordinary Career of Modesty Blaise 199
- Authenticity and Judge Dredd on Film 214
- CGI as Adaptation Strategy: Can a Digitally Constructed Spider-Man Do Whatever a Hand-Drawn Spider-Man Can? 232
- Scott Pilgrim’s Precious Little Texts: Adaptation, Form, and Transmedia Co-creation 246
- Transmedia Adaptation and Writing in the Margins: A Graphic Expansion of George Romero’s Night of the Living Dead 265
- Agency and Intertextuality: Tank Girl, Subcultural Aesthetics, and the Strong Female Protagonist 279
- Black Panther: Aspiration, Identification, and Appropriation 296
- Contributors 313
- Index 319