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A Comic Book Life/Style: World Building in American Splendor

  • Matt Yockey
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Comics and Pop Culture
This chapter is in the book Comics and Pop Culture
© 2021 University of Texas Press

© 2021 University of Texas Press

Chapters in this book

  1. Frontmatter i
  2. Contents vii
  3. Acknowledgments xi
  4. Introduction 1
  5. PART ONE ISSUES AND DEBATES
  6. The Crossroads of Infinity, or Universum Incognitum 19
  7. From Adaptation to Extension: A History of Comics Adapting Films, 1974–2015 36
  8. Take the Movie Home! How the Comic Book Tie-In Anticipated Transmedia Production 49
  9. Manga, Anime, Adaptation: Economic Strategies, Aesthetic Specificities, Social Issues 70
  10. Genre and Superhero Cinema 92
  11. Destroying the Rainbow Bridge: Representations of Heterosexuality in Marvel Superhero Narratives 110
  12. Mutatis Mutandis: Constructing Fidelity in the Comic Book Film Adaptation 126
  13. “We Roller Coaster Through . . . ” : Screenwriting, Narrative Economy, and the Inscription of the Haptic in Tentpole Comic Book Movies 140
  14. Adaptation and Seriality: Comic Book to Television Series Adaptations 151
  15. PART TWO PANELS AND FRAMES
  16. Felix in—and out of—Space 169
  17. A Comic Book Life/Style: World Building in American Splendor 184
  18. The Extraordinary Career of Modesty Blaise 199
  19. Authenticity and Judge Dredd on Film 214
  20. CGI as Adaptation Strategy: Can a Digitally Constructed Spider-Man Do Whatever a Hand-Drawn Spider-Man Can? 232
  21. Scott Pilgrim’s Precious Little Texts: Adaptation, Form, and Transmedia Co-creation 246
  22. Transmedia Adaptation and Writing in the Margins: A Graphic Expansion of George Romero’s Night of the Living Dead 265
  23. Agency and Intertextuality: Tank Girl, Subcultural Aesthetics, and the Strong Female Protagonist 279
  24. Black Panther: Aspiration, Identification, and Appropriation 296
  25. Contributors 313
  26. Index 319
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