5 “¡Estamos Hartas!” Feminist Performances, Photography, and the Meanings of Political Solidarity in 1970s Mexico

Chapters in this book

1. Frontmatter i
2. Contents v
3. Introduction Transnational Pathways of Empathy in the Americas 1
4. Part I -Preparing the Ground, Holding Ground, 1944–2015
5. 1 “My Art Speaks for Both My Peoples” Elizabeth Catlett in Mexico 23
6. 2 Traditions of Resistance, Expressions of Solidarity, and the Honduran Coup 53
7. Part II - Resistance and Liberation, 1960–1974
8. 3 Ignácio de Loyola Brandão’s Zero and the Aesthetics of Resistance in 1960s Brazil 83
9. 4 Canto Libre Folk Music and Solidarity in the Americas, 1967–1974 117
10. Part III - Cultural Economies of Solidarity, 1970–1987
11. 5 “¡Estamos Hartas!” Feminist Performances, Photography, and the Meanings of Political Solidarity in 1970s Mexico 149
12. 6 “Amor Solidario” Revolutionary Lesbianism in Mexico City, 1977–1987 193
13. Part IV - Solidarity Action beyond Movements
14. 7 Solidarity in Spectatorship 215
15. 8 What Is Solidarity Art? 241
16. Epilogue 259
17. Acknowledgments 267
18. Bibliography 271
19. Contributors 291
20. Index 297