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Chapter Three. Pistol Packin’ Mama: Imperiled Masculinity in Thomas Hart Benton’s A Social History of the State of Missouri
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Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Chapter One. Frankie and Johnny Take Center Stage: African American Folk Culture in 1930s America 1
- Chapter Two. Lead Belly’s Ninth Symphony: Huddie Ledbetter and the Changing Contours of American Folk Music 35
- Chapter Three. Pistol Packin’ Mama: Imperiled Masculinity in Thomas Hart Benton’s A Social History of the State of Missouri 81
- Chapter Four. Whiteface Marionettes: John Huston’s Comic Melodrama 111
- Chapter Five. The Finest Woman Ever to Walk the Streets: Mae West’s Outlaw Exploits in She Done Him Wrong 138
- Chapter Six. The Lynching of Johnny: Sterling Brown’s Social Realist Critique 172
- Epilogue. African American Women’s Voices and the Tightrope of Respectability 203
- Notes 219
- Index 255
Chapters in this book
- Frontmatter i
- Contents vii
- Acknowledgments ix
- Chapter One. Frankie and Johnny Take Center Stage: African American Folk Culture in 1930s America 1
- Chapter Two. Lead Belly’s Ninth Symphony: Huddie Ledbetter and the Changing Contours of American Folk Music 35
- Chapter Three. Pistol Packin’ Mama: Imperiled Masculinity in Thomas Hart Benton’s A Social History of the State of Missouri 81
- Chapter Four. Whiteface Marionettes: John Huston’s Comic Melodrama 111
- Chapter Five. The Finest Woman Ever to Walk the Streets: Mae West’s Outlaw Exploits in She Done Him Wrong 138
- Chapter Six. The Lynching of Johnny: Sterling Brown’s Social Realist Critique 172
- Epilogue. African American Women’s Voices and the Tightrope of Respectability 203
- Notes 219
- Index 255