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9 The Reentry Stage
Future Compositions and Dissonant Voices
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Chapters in this book
- Front Matter i
- Contents vii
- Acknowledgments ix
- Preface How Writing Across Cultures Positions itself in Current Rhetoric, Writing, Racism, and Diversity Scholarship xi
- Introduction Pluralist Rhetorics for Writing Teachers and their Students 3
- 1 Home Culture(s), Academic Discourse, Critical Reading, and the Eddy Model of Intercultural Experience 22
- 2 Entrance to the Preliminary Stage 37
- 3 The Preliminary Stage, Part 2 64
- 4 The Spectator Stage 79
- 5 The Increasing-Participation Stage 96
- 6 The Shock Stage 130
- 7 Convincing the Audience by using Edited American English 153
- 8 The Adaptation Stage 168
- 9 The Reentry Stage 191
- 10 Cultural Meshing or Switching in Poly- or Intercultural Writing Classes 202
- References 213
- Index 217
Chapters in this book
- Front Matter i
- Contents vii
- Acknowledgments ix
- Preface How Writing Across Cultures Positions itself in Current Rhetoric, Writing, Racism, and Diversity Scholarship xi
- Introduction Pluralist Rhetorics for Writing Teachers and their Students 3
- 1 Home Culture(s), Academic Discourse, Critical Reading, and the Eddy Model of Intercultural Experience 22
- 2 Entrance to the Preliminary Stage 37
- 3 The Preliminary Stage, Part 2 64
- 4 The Spectator Stage 79
- 5 The Increasing-Participation Stage 96
- 6 The Shock Stage 130
- 7 Convincing the Audience by using Edited American English 153
- 8 The Adaptation Stage 168
- 9 The Reentry Stage 191
- 10 Cultural Meshing or Switching in Poly- or Intercultural Writing Classes 202
- References 213
- Index 217