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Writing Across Cultures
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and
Language:
English
Published/Copyright:
2019
About this book
Writing Across Cultures invites both new and experienced teachers to examine the ways in which their training has—or has not—prepared them for dealing with issues of race, power, and authority in their writing classrooms. The text is packed with more than twenty activities that enable students to examine issues such as white privilege, common dialects, and the normalization of racism in a society where democracy is increasingly under attack. This book provides an innovative framework that helps teachers create safe spaces for students to write and critically engage in hard discussions.
Robert Eddy and Amanda Espinosa-Aguilar offer a new framework for teaching that acknowledges the changing demographics of US college classrooms as the field of writing studies moves toward real equity and expanding diversity. Writing Across Cultures utilizes a streamlined cross-racial and interculturally tested method of introducing students to academic writing via sequenced assignments that are not confined by traditional and static approaches. They focus on helping students become engaged members of a new culture—namely, the rapidly changing collegiate discourse community. The book is based on a multi-racial rhetoric that assumes that writing is inherently a social activity. Students benefit most from seeing composing as an act of engaged communication, and this text uses student samples, not professionally authored ones, to demonstrate this framework in action.
Writing Across Cultures will be a significant contribution to the field, aiding teachers, students, and administrators in navigating the real challenges and wonderful opportunities of multi-racial learning spaces.
Robert Eddy and Amanda Espinosa-Aguilar offer a new framework for teaching that acknowledges the changing demographics of US college classrooms as the field of writing studies moves toward real equity and expanding diversity. Writing Across Cultures utilizes a streamlined cross-racial and interculturally tested method of introducing students to academic writing via sequenced assignments that are not confined by traditional and static approaches. They focus on helping students become engaged members of a new culture—namely, the rapidly changing collegiate discourse community. The book is based on a multi-racial rhetoric that assumes that writing is inherently a social activity. Students benefit most from seeing composing as an act of engaged communication, and this text uses student samples, not professionally authored ones, to demonstrate this framework in action.
Writing Across Cultures will be a significant contribution to the field, aiding teachers, students, and administrators in navigating the real challenges and wonderful opportunities of multi-racial learning spaces.
Author / Editor information
Robert Eddy is an associate professor of English at Washington State University, and he was the department’s director of composition from 2002 through 2010. He has directed writing programs in China and Egypt and won the University of North Carolina Board of Governors’ Award for Excellence in Teaching in 2001. He is coeditor of A Language and Power Reader:Representations of Race in a “Post-Racist” Era (2014).
Amanda Espinosa-Aguilar is a two-year college English instructor and a professional scorer for Pearson Scoring Services. She has held a range of academic positions, including writing center director, composition coordinator, and assistant professor of English, and has published a variety of essays, articles, reviews, short stories, and poems. In 1996 she received the Scholars for the Dream Award from the Conference on College Composition and Communication.
Amanda Espinosa-Aguilar is a two-year college English instructor and a professional scorer for Pearson Scoring Services. She has held a range of academic positions, including writing center director, composition coordinator, and assistant professor of English, and has published a variety of essays, articles, reviews, short stories, and poems. In 1996 she received the Scholars for the Dream Award from the Conference on College Composition and Communication.
Reviews
“Eddy and Espinosa-Aguilar offer a perspective to a conversation that will undoubtedly continue in the years to come. In ten years, when scholars trace the history of composition studies, Writing Across Cultures will stand out for representing the values of the Social Justice Era of Composition: radical inclusivity, adaptability, and strong praxis.”
—Literacy in Composition Studies
“Applying these concepts to instructor education curriculum could be beneficial for early writing professionals as they learn to think about culture more in their classroom.”
—Composition Forum
—Literacy in Composition Studies
“Applying these concepts to instructor education curriculum could be beneficial for early writing professionals as they learn to think about culture more in their classroom.”
—Composition Forum
Topics
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Front Matter
i -
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Contents
vii -
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Acknowledgments
ix -
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Preface How Writing Across Cultures Positions itself in Current Rhetoric, Writing, Racism, and Diversity Scholarship
xi -
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Introduction Pluralist Rhetorics for Writing Teachers and their Students
3 -
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1 Home Culture(s), Academic Discourse, Critical Reading, and the Eddy Model of Intercultural Experience
22 -
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2 Entrance to the Preliminary Stage
37 -
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3 The Preliminary Stage, Part 2
64 -
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4 The Spectator Stage
79 -
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5 The Increasing-Participation Stage
96 -
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6 The Shock Stage
130 -
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7 Convincing the Audience by using Edited American English
153 -
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8 The Adaptation Stage
168 -
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9 The Reentry Stage
191 -
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10 Cultural Meshing or Switching in Poly- or Intercultural Writing Classes
202 -
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References
213 -
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Index
217
Publishing information
Pages and Images/Illustrations in book
eBook published on:
December 6, 2024
eBook ISBN:
9781607328742
Pages and Images/Illustrations in book
eBook ISBN:
9781607328742
Audience(s) for this book
For an expert adult audience, including professional development and academic research