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Speaking of love
-
Claude Hurlbert
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Chapters in this book
- Front Matter i
- Contents vii
- Acknowledgments xi
- New Orleans: A Prayer xiii
-
Part one Cage the provincial composition
- Learning new ways #1 3
- Making a Past a Past and a Life a Life 6
- 1975 12
- The Most Important Class 16
- 1980 20
- Speaking of love 24
- ‘It had better be worth it’ 27
- The use and abuse of history 29
- A new beginning 33
- The babel effect 36
- A question of service 43
- More than one 48
- International composition #1 51
- No new colonialism, then 54
- Transcending transnationatism? 56
- International composition #2 71
- And to go beyond the words 74
- The styles 80
- Rhetorical boundaries and agency 84
- Part pf the story 86
- Rhetorical traditions: a staement about methodology 93
- For instance, a mindful rhetoric 98
- Voices from the dark; voices from the light 101
- Museum pieces 107
- Oh, multicultural america 110
- A recent history, a decent future 113
- What will the yard sales say? 116
-
Part two Circulations the composing of composition
- Why ezra? 119
- Nationalism 129
- Is it patriotism or is it nationalism? 133
- Critical literacy 136
- A decent nation 143
- A nation’s cultural centrism 147
- When you do the research 155
- The global nothing 164
- And so? 172
- In other words, it carries over 178
-
Part three Key the composition classroom
- Exhibit a 181
- What are you burning to tell the world? 182
- The class workshop 185
- Books 188
- Why a book? 193
- Forewords 196
- Ubuntu: rhetorical principles at work 198
- Mindful teaching 202
- When we compose 206
- National recalcitrance 208
- There is no rhetoric, but there is hope 211
- The international sustainable literacy project 215
-
Part four Uncaged the international future of composition
- Mistakes and beyond 221
- International composition #3 223
- On the road with international composition 226
- World englishes; world compositions 230
- Securing composition; saving the planet 234
- Learning new ways #2 238
- Coda 239
- References 255
- Index 277
Chapters in this book
- Front Matter i
- Contents vii
- Acknowledgments xi
- New Orleans: A Prayer xiii
-
Part one Cage the provincial composition
- Learning new ways #1 3
- Making a Past a Past and a Life a Life 6
- 1975 12
- The Most Important Class 16
- 1980 20
- Speaking of love 24
- ‘It had better be worth it’ 27
- The use and abuse of history 29
- A new beginning 33
- The babel effect 36
- A question of service 43
- More than one 48
- International composition #1 51
- No new colonialism, then 54
- Transcending transnationatism? 56
- International composition #2 71
- And to go beyond the words 74
- The styles 80
- Rhetorical boundaries and agency 84
- Part pf the story 86
- Rhetorical traditions: a staement about methodology 93
- For instance, a mindful rhetoric 98
- Voices from the dark; voices from the light 101
- Museum pieces 107
- Oh, multicultural america 110
- A recent history, a decent future 113
- What will the yard sales say? 116
-
Part two Circulations the composing of composition
- Why ezra? 119
- Nationalism 129
- Is it patriotism or is it nationalism? 133
- Critical literacy 136
- A decent nation 143
- A nation’s cultural centrism 147
- When you do the research 155
- The global nothing 164
- And so? 172
- In other words, it carries over 178
-
Part three Key the composition classroom
- Exhibit a 181
- What are you burning to tell the world? 182
- The class workshop 185
- Books 188
- Why a book? 193
- Forewords 196
- Ubuntu: rhetorical principles at work 198
- Mindful teaching 202
- When we compose 206
- National recalcitrance 208
- There is no rhetoric, but there is hope 211
- The international sustainable literacy project 215
-
Part four Uncaged the international future of composition
- Mistakes and beyond 221
- International composition #3 223
- On the road with international composition 226
- World englishes; world compositions 230
- Securing composition; saving the planet 234
- Learning new ways #2 238
- Coda 239
- References 255
- Index 277