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4 LISTENING FOR LEGACIES

or, How I Began to Hear Dorothy Laigo Cordova, the Pinay behind the Podium Known as FANHS

Chapters in this book

  1. Front Matter i
  2. Contents v
  3. FOREWORD vii
  4. ACKNOWLEDGMENTS xiv
  5. INTRODUCTION 1
  6. PART ONE Performing Asian American Rhetoric in Context
  7. 1 TRANSNATIONAL ASIAN AMERICAN RHETORIC AS A DIASPORIC PRACTICE 25
  8. 2 REEXAMINING THE BETWEENWORLDS TROPE IN CROSS-CULTURAL COMPOSITION STUDIES 41
  9. 3 ASIAN AMERICAN RHETORICAL MEMORY AND A “MEMORY THAT IS ONLY SOMETIMES OUR OWN” 62
  10. 4 LISTENING FOR LEGACIES 83
  11. 5 LEARNING AUTHENTICITY 106
  12. 6 RELOCATING AUTHORITY 127
  13. 7 RHETORIC OF THE ASIAN AMERICAN SELF 153
  14. PART TWO “Translating” and “Transforming” Asian American Identities
  15. 8 “ARTFULBIGOTRY & KITSCH” 175
  16. 9 BEYOND “ASIAN AMERICAN” AND BACK 198
  17. 10 ON THE ROAD WITH P. T. BARNUM’S TRAVELING CHINESE MUSEUM 218
  18. 11 REREADING SUI SIN FAR 244
  19. 12 MARGARET CHO, JAKE SHIMABUKURO, AND RHETORICS IN A MINOR KEY 266
  20. 13 “MAYBE I COULD PLAY A HOOKER IN SOMETHING!” 279
  21. 14 LEARNING ASIAN AMERICAN AFFECT 293
  22. AFTERWORD 323
  23. INDEX 333
  24. CONTRIBUTORS 338
Representations
This chapter is in the book Representations
https://doi.org/10.7330/9780874217254.c007

Chapters in this book

  1. Front Matter i
  2. Contents v
  3. FOREWORD vii
  4. ACKNOWLEDGMENTS xiv
  5. INTRODUCTION 1
  6. PART ONE Performing Asian American Rhetoric in Context
  7. 1 TRANSNATIONAL ASIAN AMERICAN RHETORIC AS A DIASPORIC PRACTICE 25
  8. 2 REEXAMINING THE BETWEENWORLDS TROPE IN CROSS-CULTURAL COMPOSITION STUDIES 41
  9. 3 ASIAN AMERICAN RHETORICAL MEMORY AND A “MEMORY THAT IS ONLY SOMETIMES OUR OWN” 62
  10. 4 LISTENING FOR LEGACIES 83
  11. 5 LEARNING AUTHENTICITY 106
  12. 6 RELOCATING AUTHORITY 127
  13. 7 RHETORIC OF THE ASIAN AMERICAN SELF 153
  14. PART TWO “Translating” and “Transforming” Asian American Identities
  15. 8 “ARTFULBIGOTRY & KITSCH” 175
  16. 9 BEYOND “ASIAN AMERICAN” AND BACK 198
  17. 10 ON THE ROAD WITH P. T. BARNUM’S TRAVELING CHINESE MUSEUM 218
  18. 11 REREADING SUI SIN FAR 244
  19. 12 MARGARET CHO, JAKE SHIMABUKURO, AND RHETORICS IN A MINOR KEY 266
  20. 13 “MAYBE I COULD PLAY A HOOKER IN SOMETHING!” 279
  21. 14 LEARNING ASIAN AMERICAN AFFECT 293
  22. AFTERWORD 323
  23. INDEX 333
  24. CONTRIBUTORS 338
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