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15 Gone Fishin’

Rendering and the Uses of Personal Experience in Writing

Chapters in this book

  1. Front Matter i
  2. Contents v
  3. Foreword ix
  4. Preface xi
  5. A Precise Machine For Thinkers xiv
  6. Vision xvi
  7. Cluster I Contextualizing and Categorizing
  8. Intersection 3
  9. 1 Writing Without Teachers, Writing Against The Past? 7
  10. 2 Sentimental Journeys 21
  11. 3 Elbow’s Radical And Postmodern Politics 34
  12. 4 Elbow As Icon 48
  13. Cluster II Exploring Contraries
  14. Intersection 61
  15. 5 Pedagogy For The Bamboozled 65
  16. 6 New Uses For Doubting 84
  17. 7 Believing Is Not A Game 95
  18. 8 East Meets West 114
  19. Cluster III In The Classroom
  20. Intersection 127
  21. 9 Re-Imagining “Frontier” Pedagogy 133
  22. 10 Dissolving Contraries 144
  23. 11 Pleasure, Politics, Fear, And The Field Of Composition 159
  24. 12 Spoken Response 172
  25. 13 An Inquiry Into Writing Assessment 187
  26. Cluster IV Voice and the Personal
  27. Intersection 205
  28. 14 Embodied Voice 210
  29. 15 Gone Fishin’ 223
  30. 16 My Favorite Balancing Act 239
  31. 17 Dear Peter 253
  32. 18 Collage 268
  33. References 277
  34. Contributors 288
  35. Index 295
Writing With Elbow
This chapter is in the book Writing With Elbow
https://doi.org/10.7330/9780874214604.c023

Chapters in this book

  1. Front Matter i
  2. Contents v
  3. Foreword ix
  4. Preface xi
  5. A Precise Machine For Thinkers xiv
  6. Vision xvi
  7. Cluster I Contextualizing and Categorizing
  8. Intersection 3
  9. 1 Writing Without Teachers, Writing Against The Past? 7
  10. 2 Sentimental Journeys 21
  11. 3 Elbow’s Radical And Postmodern Politics 34
  12. 4 Elbow As Icon 48
  13. Cluster II Exploring Contraries
  14. Intersection 61
  15. 5 Pedagogy For The Bamboozled 65
  16. 6 New Uses For Doubting 84
  17. 7 Believing Is Not A Game 95
  18. 8 East Meets West 114
  19. Cluster III In The Classroom
  20. Intersection 127
  21. 9 Re-Imagining “Frontier” Pedagogy 133
  22. 10 Dissolving Contraries 144
  23. 11 Pleasure, Politics, Fear, And The Field Of Composition 159
  24. 12 Spoken Response 172
  25. 13 An Inquiry Into Writing Assessment 187
  26. Cluster IV Voice and the Personal
  27. Intersection 205
  28. 14 Embodied Voice 210
  29. 15 Gone Fishin’ 223
  30. 16 My Favorite Balancing Act 239
  31. 17 Dear Peter 253
  32. 18 Collage 268
  33. References 277
  34. Contributors 288
  35. Index 295
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