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5. Representation, exemplification, and reflexivity: An Alternative Approach to the Symbolic Dimension of Cinematic Art
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Chapters in this book
- Frontmatter i
- Contents vii
- List of Illustrations ix
- Acknowledgments xi
- Introduction xiii
-
Part I. Films and Worlds
- 1. Worlds within worlds: Fictions, Narrative, and Aesthetic Enclosure 3
-
Part II. Worlds of Symbols
- 2. The framework of worlds: Symbolization, Meaning, and Art 39
- 3. Filmmaking as symbolic transformation 60
- 4. Ways of cinematic world-making 86
- 5. Representation, exemplification, and reflexivity: An Alternative Approach to the Symbolic Dimension of Cinematic Art 114
-
Part III. Worlds of Feeling
- 6. Forms of feeling: Mapping Affect and Emotions in Films 161
- 7. Cineaesthetic world-feeling and immersion 190
-
Part IV. Worlds of Truth
- 8. Toward an existential hermeneutics of film worlds 229
- Notes 269
- Bibliography 287
- Index 299
Chapters in this book
- Frontmatter i
- Contents vii
- List of Illustrations ix
- Acknowledgments xi
- Introduction xiii
-
Part I. Films and Worlds
- 1. Worlds within worlds: Fictions, Narrative, and Aesthetic Enclosure 3
-
Part II. Worlds of Symbols
- 2. The framework of worlds: Symbolization, Meaning, and Art 39
- 3. Filmmaking as symbolic transformation 60
- 4. Ways of cinematic world-making 86
- 5. Representation, exemplification, and reflexivity: An Alternative Approach to the Symbolic Dimension of Cinematic Art 114
-
Part III. Worlds of Feeling
- 6. Forms of feeling: Mapping Affect and Emotions in Films 161
- 7. Cineaesthetic world-feeling and immersion 190
-
Part IV. Worlds of Truth
- 8. Toward an existential hermeneutics of film worlds 229
- Notes 269
- Bibliography 287
- Index 299