Chapters in this book

1. Frontmatter i
2. Contents vii
3. List of Illustrations ix
4. Acknowledgments xi
5. Introduction: Where Film Meets Philosophy 1
6. 1. Phenomenology and The Viewing Subject 35
7. 2. Film Connotation And The Signified Subject 75
8. 3. Sound, Image, And The Order Of Meaning 101
9. 4. Alain Resnais And The Code Of Subjectivity 139
10. 5. Jean-Luc Godard And The Code Of Objectivity 169
11. Conclusion: Where Film And Philosophy May Lead 197
12. Notes 207
13. Bibliography 229
14. Index 239
15. Backmatter 245