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Fukasaku Kinji and Beginning With a Bomb
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Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgments vii
- Introduction: Rising Sun and Divided Land 1
- Cinematic Japan and Korea: A Long and Turbulent History 10
- Im Kwon-taek and the March of Time 25
- Film Analysis: Chihwaseon 44
- Fukasaku Kinji and Beginning With a Bomb 51
- Film Analysis: Battle Royale 65
- Lee Chang-dong and the Trauma of History 73
- Film Analysis: Secret Sunshine 91
- The Legacy of a Violent Man: Kitano Takeshi 99
- Film Analysis: Hana-bi 116
- Twisted Histories: Park Chan-wook and the Legacy of Personal Trauma 123
- Film Analysis: Oldboy 138
- The Lone Woman: Kawase Naomi 146
- Film Analysis: Shara 166
- Bad Guy: Kim Ki-duk 172
- Film Analysis: Bad Guy 188
- Miike Takashi: Welcome to the Dark Side 197
- Film Analysis: Visitor Q 211
- Conclusion 220
- Bibliography 224
- Filmography and Further Viewing Suggestions 235
- Key Electronic Resources for Japanese and Korean Film 250
- Index 251
Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgments vii
- Introduction: Rising Sun and Divided Land 1
- Cinematic Japan and Korea: A Long and Turbulent History 10
- Im Kwon-taek and the March of Time 25
- Film Analysis: Chihwaseon 44
- Fukasaku Kinji and Beginning With a Bomb 51
- Film Analysis: Battle Royale 65
- Lee Chang-dong and the Trauma of History 73
- Film Analysis: Secret Sunshine 91
- The Legacy of a Violent Man: Kitano Takeshi 99
- Film Analysis: Hana-bi 116
- Twisted Histories: Park Chan-wook and the Legacy of Personal Trauma 123
- Film Analysis: Oldboy 138
- The Lone Woman: Kawase Naomi 146
- Film Analysis: Shara 166
- Bad Guy: Kim Ki-duk 172
- Film Analysis: Bad Guy 188
- Miike Takashi: Welcome to the Dark Side 197
- Film Analysis: Visitor Q 211
- Conclusion 220
- Bibliography 224
- Filmography and Further Viewing Suggestions 235
- Key Electronic Resources for Japanese and Korean Film 250
- Index 251