Presented to you through Paradigm Publishing Services
Columbia University Press
Chapter
Licensed
Unlicensed
Requires Authentication
2. Theater in the “Deep”: W. B. Yeats’s At the Hawk’s Well
You are currently not able to access this content.
You are currently not able to access this content.
Chapters in this book
- Frontmatter i
- Contents v
- Preface vii
- Acknowledgments xi
- Abbreviations xv
- Introduction to Noh Lessons 1
- 1. Ezra Pound as Noh Student 23
- 2. Theater in the “Deep”: W. B. Yeats’s At the Hawk’s Well 63
- 3 . Itō Michio’s Hawk Tours in Modern Dance and Theater 103
- 4 . Pedagogical Intermission: A Lesson Plan for Bertolt Brecht’s Revisions 149
- 5. Noh Circles in Twentieth-Century Japanese Performance 163
- 6 . Trouble with Titles and Directors: Benjamin Britten and William Plomer’s Curlew River and Samuel Beckett’s Footfalls/Pas 203
- Coda 243
- Notes 247
- Glossary 309
- Bibliography 315
- Index 343
Chapters in this book
- Frontmatter i
- Contents v
- Preface vii
- Acknowledgments xi
- Abbreviations xv
- Introduction to Noh Lessons 1
- 1. Ezra Pound as Noh Student 23
- 2. Theater in the “Deep”: W. B. Yeats’s At the Hawk’s Well 63
- 3 . Itō Michio’s Hawk Tours in Modern Dance and Theater 103
- 4 . Pedagogical Intermission: A Lesson Plan for Bertolt Brecht’s Revisions 149
- 5. Noh Circles in Twentieth-Century Japanese Performance 163
- 6 . Trouble with Titles and Directors: Benjamin Britten and William Plomer’s Curlew River and Samuel Beckett’s Footfalls/Pas 203
- Coda 243
- Notes 247
- Glossary 309
- Bibliography 315
- Index 343