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Chapters in this book
- Frontmatter i
- CONTENTS vii
- ACKNOWLEDGMENTS ix
- PROLOGUE 1
-
PART I. Writing the Crossroads
- Chapter One. GEORGIA DUSK AND PANAMA GOLD 21
- Chapter Two. COMPELLING INSINUATION AND THE USES OF ETHNOGRAPHY 62
-
PART II. Performing the Archive
- Chapter Three. “CUBAN EVENING” 113
- Chapter Four. REINTERPRETING FOLK CULTURE AT THE “END OF THE WORLD” 153
- CODA. Toward an Ontological Sovereignty 189
- NOTES 195
- BIBLIOGRAPHY 227
- INDEX 245
Chapters in this book
- Frontmatter i
- CONTENTS vii
- ACKNOWLEDGMENTS ix
- PROLOGUE 1
-
PART I. Writing the Crossroads
- Chapter One. GEORGIA DUSK AND PANAMA GOLD 21
- Chapter Two. COMPELLING INSINUATION AND THE USES OF ETHNOGRAPHY 62
-
PART II. Performing the Archive
- Chapter Three. “CUBAN EVENING” 113
- Chapter Four. REINTERPRETING FOLK CULTURE AT THE “END OF THE WORLD” 153
- CODA. Toward an Ontological Sovereignty 189
- NOTES 195
- BIBLIOGRAPHY 227
- INDEX 245