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© 2023 Columbia University Press

© 2023 Columbia University Press

Chapters in this book

  1. Frontmatter i
  2. CONTENTS vii
  3. ACKNOWLEDGMENTS ix
  4. PROLOGUE 1
  5. PART I. Writing the Crossroads
  6. Chapter One. GEORGIA DUSK AND PANAMA GOLD 21
  7. Chapter Two. COMPELLING INSINUATION AND THE USES OF ETHNOGRAPHY 62
  8. PART II. Performing the Archive
  9. Chapter Three. “CUBAN EVENING” 113
  10. Chapter Four. REINTERPRETING FOLK CULTURE AT THE “END OF THE WORLD” 153
  11. CODA. Toward an Ontological Sovereignty 189
  12. NOTES 195
  13. BIBLIOGRAPHY 227
  14. INDEX 245
Turn the World Upside Down
This chapter is in the book Turn the World Upside Down
https://doi.org/10.7312/owen20888-008

Chapters in this book

  1. Frontmatter i
  2. CONTENTS vii
  3. ACKNOWLEDGMENTS ix
  4. PROLOGUE 1
  5. PART I. Writing the Crossroads
  6. Chapter One. GEORGIA DUSK AND PANAMA GOLD 21
  7. Chapter Two. COMPELLING INSINUATION AND THE USES OF ETHNOGRAPHY 62
  8. PART II. Performing the Archive
  9. Chapter Three. “CUBAN EVENING” 113
  10. Chapter Four. REINTERPRETING FOLK CULTURE AT THE “END OF THE WORLD” 153
  11. CODA. Toward an Ontological Sovereignty 189
  12. NOTES 195
  13. BIBLIOGRAPHY 227
  14. INDEX 245
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